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affair afterwards already answer appears Bath believe Bill bring brother brought called CHAP character comedy common course dear doubt effect England enter eyes father feel genius give given hand Hastings heart honour hope House instance interest Ireland kind Lady late least leave less letter Linley lively look Lord manner Mathews means meet mind Miss nature never night object occasion once opinion original party pass perhaps period person play political present principles produced question reason received remarkable respect scene School seems Sheridan side soon sort speech spirit success suppose sure taken talents taste thee thing thou thought true turn verses VIII whole wish writing written young
Page 260 - The painter dead, yet still he charms the eye; While England lives, his fame can never die: But he who struts his hour upon the stage, Can scarce extend his fame for half an age; Nor pen nor pencil can the actor save, The art, and artist, share one common grave.
Page 261 - Pity it is, that the momentary beauties flowing from an harmonious elocution, cannot like those of poetry be their own record! That the animated graces of the player can live no longer than the instant breath and motion that presents them; or at best can but faintly glimmer through the memory, or imperfect attestation of a few surviving spectators.
Page 171 - I ne'er could any lustre see In eyes that would not look on me ; I ne'er saw nectar on a lip, But where my own did hope to sip.
Page 206 - Why, to be sure, a tale of scandal is as fatal to the credit of a prudent lady of her stamp as a fever is generally to those of the strongest constitutions. But there is a sort of puny sickly reputation, that is always ailing, yet will outlive the robuster characters of a hundred prudes. Sir Ben. True, madam, there are valetudinarians in reputation as well as constitution, who, being conscious of their weak part, avoid the least breath of air...
Page 117 - He, and some of his friends, also who have heard it, assure me in the most flattering terms that there is not a doubt of its success. It will be very well played, and Harris tells me that the least shilling I shall get (if it succeeds) will be six hundred vol.. l. i ° pounds. I shall make no secret of it towards the time of representation, that it may not lose any support my friends can give it.
Page 172 - Cheeks of rose, untouched by art ? I will own the colour true, When yielding blushes aid their hue. Is her hand so soft and pure ? I must press it, to be sure; Nor can I be certain then, Till it, grateful, press again. Must I, with attentive eye, Watch her heaving bosom sigh ? I will do so, when I see That heaving bosom sigh for me.
Page 461 - ... have this day listened with ardour and admiration. From poetry up to eloquence there is not a species of composition of which a complete and perfect specimen might not, from that single speech, be culled and collected.
Page 434 - He either tyrannised or deceived, and was by turns a Dionysius and a Scapin. As well might the writhing obliquity of the serpent be compared to the swift directness of the arrow, as the duplicity of Mr. Hastings' ambition to the simple steadiness of genuine magnanimity.
Page 151 - We received your songs to-day, with which we are exceedingly pleased. I shall profit by your proposed alterations; but I'd have you to know that we are much too chaste in London to admit such strains as your Bath spring inspires.
Page 233 - Then, behind, all my hair is done up in a plat, And so, like a cornet's, tuck'd under my hat. Then I mount on my palfrey as gay as a lark, And, follow'd by John, take the dust * in High Park. In the way I am met by some smart macaroni, Who rides by my side on a little bay pony — No sturdy Hibernian, with shoulders so wide, But as taper and slim as the ponies they ride ; Their legs are as slim, and their shoulders no wider...