Freeport, (Sir Andrew) a Member of the Spectator's Club,

N. 2.

French Poets, wherein to be imitated by the English, N. 45. Friendship, the great Benefit of it, N. 68. The Medicine of Life, ibid. The Qualifications of a good Friend, ibid.

G

7.

G.

ALLANTRY; wherein true Gallantry ought to confift, N. Gaper; the Sign of the Gaper frequent in Amfterdam, N.47. Ghofts warn'd out of the Playhouse, N. 36. the Appearance of a Ghoft of great Efficacy on an English Theatre, 44. Gofpel Goffips defcribed, N. 46.

Goths in Poetry, who, N. 62.

H. !!

Hmoving Pity in a Tragedy, N. 44

ANDKERCHIEF, the great Machine for

Happinefs, (true) an Enemy to Pomp and Noife, N. 15. Hard Words ought not to be Pronounced right by wellbred Ladies, N. 45.

Heroes in an English Tragedy generally Lovers, N. 40. Hobbs, (Mr.) his Obfervation upon Laughter, N. 47. Honeycomb, (Will) his Character, N. z. his Difcourfe with the Spectator in the Playhouse, 4. his Adventure with a Pit, 41. Throws his Watch into the Thames, 77. Human Nature, the fame in all reasonable Creatures, N.70. Humour to be defcribed only by Negatives, N. 35. the Genealogy of true Humour, ibid. and of falfe, ibid.

I

I.

AMBIC K Verfe the most proper for Greek Tragedies, 39.

James, how polifhed by Love, N. 71.

Idiots in great Request in most of the German Courts, N. 47.

Idols, who of the Fair Sex fo call'd, N. 73. .

Impudence gets the better of Modefty, N. 2. An Impudence committed by the Eyes, 20. the Definition of English, Scotch, and Irish Impudence, ibid.

Indian Kings, fome of their Obfervations during their Stay here, N. 50.

1

Indifcretion, more hurtful than Ill-nature, N. 23.
Injuries how to be measured, N. 23.

Inkle and Yarico, their Story, N. 11.

Innocence and not Quality, an Exemption from Reproof,

.N. 34.

Johnfon (Ben) an Epitaph written by him on a Lady, N.33. Italian Writers, florid and wordy, N. 5.

K.

Kimbow, (Tho.) ftates his Cafe in a Letter to the

Spectator, N. 24.

Kiffing-Dances cenfured, N. 67.

L.

Ady's Library described, N. 37..

Lætitia and Daphne, their Story, N. 33.

Lampoons written by People that cannot Spell, N. 16. witty Lampoons inflict Wounds that are incurable, 23. the inhuman Barbarity of the ordinary Scribblers of Lampoons, ibid.

Larvati who fo called among the Ancients, N. 32. Lath, (Squire) has a good Eftate which he would part withal for a Pair of Legs to his Mind, N. 32.

Laughter, (immoderate) a Sign of Pride, N. 47. the Provocations to it, ibid.

Lawyers divided into the Peaceable and Litigious, N.21. Both Sorts defcribed, ibid.

King Lear, a Tragedy, fuffers in the Alteration, N. 40. Lee, the Poet, well turn'd for Tragedy, N. 39.

Learning ought not to claim any Merit to it felf, but upon the Application of it, N. 6.

Leonora, her Character, N. 37. The Description of her Country Seat, ibid.

Letters to the Spectator; complaining of the Masquerade, N. 8. from the Opera-Lion 14. from the under Sexton of Covent-Garden Parish, ibid. from the Undertaker of the Masquerade, ibid. from one who had been to see the Opera of Rinaldo, and the Puppet-Show, ibid. from Charles Lillie, 16. from the Prefident of the Ugly Club, 17. from S. C. with a Complaint against the Starers, 20. from Tho. Prone, who acted the Wild Boar that was killed by Mrs. Tofts, 22. from William Screene and Ralph Simple, ibid. from an Actor, ibid. from King Latinus, ibid. from Tho. Kimbow, 24. from Will. Fashion to his wou'd-be Acquaintance,ibid. from Mary Tuesday on the fame Subject, ibid. from a Valetudinarian to the Spectator, 25. from fome Perfons to the Spectator's Clergyman, 27. from one who would be Inspector of the Sign-Pofts, 28. from the Mafter of the Show at Charing Crofs, ibid. from Member of the Amorous Club, at Oxford, 30. from a

Member

Member of the Ugly Club, 32. from a Gentleman to fuch
Ladies as are profefs'd Beauties, 33. to the Spectator from
T.D. containing an intended Regulation of the Play-
house, 36. from the Play-houfe Thunderer, ibid. from
the Spectator to an affected very witty Man, 38. from a
married Man with a Complaint that his Wife painted, 41.

from Abraham Froth a Member of the Hebdomadal Meet-
ing in Oxford, 43. from a Husband plagued with a Gof-
pel-Goffip, 46. from an Ogling-mafter, ibid. from the
Spectator, to the Prefident and Fellows of the Ugly-Club,
48. from Hecatiffa to the Spectator, ibid. from an old
Beau, ibid. from Epping with fome Account of a Compa-
ny of Strolers, ibid. from a Lady complaining of a Paf-
fage in the Funeral, 51. from Hugh Goblin, Prefident of
the Ugly Club, 52. from 2. R. concerning Laughter,
ibid. the Spectator's Anfwer, ibid. from R. B. to the Spec-
Etator, with a Propofal relating to the Education of Lov-
ers, 53. from Anna Bella, ibid. from a splenetick Gen-
tleman, ibid. from a reformed Starer, complaining of a
Peeper, ibid. from King Latinus, ibid. from a Gentle-
man at Cambridge containing an Account of a new Sect
of Philofophers called Loungers, 54. from Celimene, 66.
from a Father complaining of the Liberties taken in
Country-Dances, 66. from James to Betty, 71, to the
Spectator from the Ugly Club at Cambridge, 78. from a
whimsical young Lady, 79. from B. D. defiring a Cata
logue of Books for the Female Library, ibid.
Letter-dropper of Antiquity, who, N. 59.
Library, a Lady's Library defcribed, N. 37.
Life, the Duration of it uncertain, N. 27.

Lindamira, the only Woman allowed to paint, N. 41.
Lion in the Hay-market occafioned many Conjectures in
the Town, N. 13. very gentle to the Spectator, ibid.
London, an Emporium for the whole Earth, N. 69.
Love, the general Concern of it, N. 30.

Love of the World, our Hearts misled by it, N. 27.
Luxury, what, N. 55. attended often with Avarice, ibid.
A Fable of those two Vices, ibid.

Lowngers, a new Sect of Philofophers in Cambridge,N.54.

M

M.

AN a fociable Animal, N. 9. The Lofs of publick
and private Virtues owing to Men of Parts, 6.
Masquerade, a Complaint against it, N. 8.
of it, ibid.

The Defign

Mazarin

Mazarine, Cardinal his Behaviour to Quillet, who had reflected upon him in a Poem, N. 23.

Merchants of great Benefit to the Publick, N. 69.
Mixt Wit described, N. 62.

Mixt Communion of Men and Spirits in Paradise, as de- fcribed by Milton, N. 12.

Mode, on what it ought to be built, N. 6.

Modefty the chief Ornament of the Fair Sex, N. 6. Moliere made an old Woman a Judge of his Plays, N. 70. Monuments in Westminster-Abbey examined by the Spectator, N. 26.

Mourning, the Method of it confidered, N. 64. Who the greatest Mourners, ibid.

Mufick banished by Plate out of his Commonwealth, N. 18. Of a relative Nature, 29.

N.

Eighbourhoods, of whom confifting, N. 49.
Newberry, (Mr.) his Rebus, N. 59.

New-River, a Project of bringing it into the Play-house,
-N. 5.

Nicolini, (Signior) his Voyage on Pafteboard, N. 5. His Combat with a Lion, 13. Why thought to be a Sham · one, ibid. An excellent Actor, ibid.

O.

Ates, (Dr.) a Favourite with fome Party Ladies, N. 57.
Ogler, the complete Ogler, N. 46.

Old Maids generally fuperftitious, N. 7.

Old Teftament in a Peruke, N. 58.

Opera, as it is the present Entertainment of the English Stage, confidered, N. 5. The Progress it has made on our Theatre, 18. Some Account of the French Opera, 29. Otway commended and cenfured, N. 39.

Overdo, a Juftice at Epping, offended at the Company of Strolers for playing the Part of Clodpate, and making a Mockery of one of the Quorum, N. 48.

Oxford Scholar, his great Discovery in a Coffee-house, .N. 46.

P

P.

Ainter and Tailor often contribute more than the Poet to the Success of a Tragedy, N. 42. Parents, their taking a liking to a particular Profeffion often occafions their Sons to mifcarry, N. 21.

Parties

Parties crept much into the Conversation of the Ladies, N. 57. Party-Zeal very bad for the Face, ibid.

Particles English, the Honour done to them in the late Operas, N. 18.

Paffions, the Conqueft of them a difficult Task. N. 71. Peace, fome ill Confequences of it, N. 45.

Peepers defcribed, N. 53.

Pharamond, Memoirs of his private Life, N. 76. His great Wisdom, ibid.

Philautia, a great Votary, N. 79.

Philofophy, the Ufe of it, N. 7. faid to be brought by Socrates down from Heaven, 10.

Phyfician and Surgeon, their different Employment, N. 16. The Phyficians a formidable Body of Men, 21. compared to the British Army in Cafar's Time, ibid. Their Way of converting one Diftemper into another, 25. Picts, what Women fo called, N. 41. No Faith to be kept with them, ibid.

Pinkethman to perfonate King Porus on an Elephant, N. 31.

Players in Drury-Lane their intended Regulations, N. 36. Poems in Picture, N. 58.

Poet, (English) reproved, N. 39, 40. their Artifices, 44. Poeteffes (English) wherein remarkable, N. 51.

Powell (Senior) to act Alexander the Great on a Drome-
dary, N. 31, His Artifice to raise a Clap, N.
40.
Powell (Junior) his great Skill in Motions, N. 14. His
Performance referred to the Opera of Rinaldo and
Armida, ibid.

Praise, the Love of it implanted in us, N. 38..
Pride a great Enemy to a fine Face, N. 33.

Profeffions, the three great ones overburdened with Practioners, N. 21.

Projector, a Short Defcription of one, N. 31.
Profper (Will) an honeft Tale-bearer, N. 19.

Punchinello, frequented more than the Church, N. 14.
Punch out in the Moral Part, ibid.

Punning much recommended by the Practice of all Ages, N.61. In what Age the Pun chiefly flourished, ibid. a famous Univerfity much infefted with it, ibid. why banished at present out of the Learned World, ibid. The Definition of a Pun, ibid.

Q. Quali