 | Ralph Waldo Emerson - 1841 - 396 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts: they come back to us with a certain...teach us to abide by our spontaneous impression with good-humoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | 1842 - 740 pages
...strokes, there we feel most at home.'— Essay i., p. 6. ' In every work of genius we recognise our own rejected thoughts ; they come back to us with a certain alienated majesty.' — Essay ii., p. 46. This is cheering as to the potentiality of the species. Hence there can be little... | |
 | Ralph Waldo Emerson - 1848 - 384 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts: they come back to us with a certain...teach us to abide by our spontaneous impression with good-humoured inflexibility then most when • the whole cry of voices is on the other side. Else,... | |
 | Ralph Waldo Emerson - 1848 - 400 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts : they come back to us with a certain...majesty. Great works of art have no more affecting D lesson for us than this. They teach us to abide by ou spontaneous impression with good humoured inflexibility... | |
 | Ralph Waldo Emerson - 1849 - 270 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts : they come back to us with a certain...teach us to abide by our spontaneous impression with good humoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | Ralph Waldo [essays] Emerson - 1849 - 270 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts : they come back to us with a certain...teach us to abide by our spontaneous impression with good humoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | Fredrika Bremer - 1853 - 664 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain...lesson for us than this. They teach us to abide by our own spontaneous impression with good-humored inflexibility, then most when the whole cry of voices... | |
 | Fredrika Bremer - 1854 - 676 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts ; they come back to us with a certain...lesson for us than this. They teach us to abide by our own spontaneous impression with good-humored inflexibility, then most when the whole cry of voices... | |
 | Kenelm Henry Digby - 1856 - 418 pages
...dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts : they come back to us with a certain...teach us to abide by our spontaneous impression with good-humoured inflexibity." But, in fine, we should notice the gentle, pacific effects which the poetry... | |
 | Ralph Waldo Emerson - 1852 - 352 pages
...without notice his thought, because it is his. Jp <every work of genius we recognize our own rejected 1 thoughts : they come back to us with a certain alienated majesty. Great works of art have no more n affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored... | |
| |
Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty. 
