 ... green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours; and for this purpose, a small proportion of cold colours will be sufficient. Let this conduct be reversed; let the light be cold,...  Critical Studies and Fragments - Page 75by Sandford Arthur Strong - 1905 - 362 pagesFull view - About this book
 | Ralph Griffiths, George Edward Griffiths - 1780 - 590 pages
...be reverfed, let the light be cold, and the furrounding colours warm, as we often fee in the \vorks of the Roman and Florentine painters, and it will...the hands of Rubens, or Titian, to make a picture fplendid and harmonious. * Le Brun and Carlo Maratt! were t\vo painters of great mer rit, and particularly... | |
 | Ralph Griffiths, George Edward Griffiths - 1780 - 590 pages
...be reverfed, let the light be cold, and the furrounding colours warm, as we often fee in the work? of the Roman and Florentine painters, and it will be out of the power of art, even in the hands of Rub-.-ns, or Titian, to make a picture fplendid and harmonious. ' Le Brun and Carlo Maratti were t\vo... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 pages
...this purpose, a small proportion of cold colours will be sufficient. Let this conduct be reserved ; let the light be cold, and the surrounding colours...hands of Rubens or Titian, to make a picture splendid and harmonious. Le Brim and Carlo Maratti were two painters of great merit, and particularly what may... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 476 pages
...this purpose, 3 small proportion of cold colours will be sufficient. Let this conduct be reserved ; let the light be cold, and the surrounding colours...hands of Rubens or Titian, to make a picture splendid and harmonious. Le Brun and Carlo Maratti were two painters of great merit, and particularly whaf may... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 430 pages
...be cold, and the surrounding colours warm, as we often see in the works of the Roman gnd Flprentine painters, and it will be out of the power of art, even in the hands of Rubens pr Titian, to make a picture splendid anfl Jiajmonioys. Brun and Carlo MarattJ were two painters of... | |
 | 1814 - 606 pages
...the light be cold, and the surrounding colours warm, as we often see in the works of the Roman ana Florentine painters ; and it will be out of the power...hands of Rubens or Titian, to make a picture splendid and harmonious. ' • Nevertheless, in the most splendid and harmonious of all pictures, theChrist... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 pages
...this purpose, a small proportion of cold colours will be sufficient. Let this conduct be reserved; let the light be cold, and the surrounding colours...hands of Rubens or Titian, to make a picture splendid and harmonious. Le Brun and Carlo Maratti were two painters of great merit, and particularly what may... | |
 | Sir Joshua Reynolds - 1819 - 610 pages
...this purpose, a small proportion of cold colours will be sufficient. Let this conduct be reserved; let the light be cold, and the surrounding colours...hands of Rubens or Titian, to make a picture splendid and harmonious. Le Brun and Carlo Maratti were two painters of great merit, and particularly what may... | |
 | sir Joshua Reynolds - 1824 - 332 pages
...this purpose, a small proportion of cold colours will be sufficient. Let this conduct be reserved ; let the light be cold, and the surrounding colours...hands of Rubens or Titian, to make a picture splendid and harmonious. Le Brun and Carlo Maratti were two painters of great merit, and particularly what may... | |
 | Sir Joshua Reynolds - 1824 - 332 pages
...this purpose, a small proportion of cold colours will be sufficient. Let this conduct be reserved ; let the light be cold, and the surrounding colours...hands of Rubens or Titian, to make a picture splendid and harmonious. Le Brun and Carlo Maratti were two painters of great merit, and particularly what may... | |
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