The Cornhill Magazine, Volume 174William Makepeace Thackeray Smith, Elder and Company, 1984 |
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Page 301
... Plomer together and through Plomer I met Roy Campbell . For the first time in my life instead of reading about literature in books I was to be in intimate touch with it through the work of contemporaries — Plomer was three years older ...
... Plomer together and through Plomer I met Roy Campbell . For the first time in my life instead of reading about literature in books I was to be in intimate touch with it through the work of contemporaries — Plomer was three years older ...
Page 302
... Plomer's talent is classical and Appollonian , in love with proportion and the art of shaping and containing the shapeless and uncontained . Instinctively and inevitably his talent was committed to the increase of civilisation and ...
... Plomer's talent is classical and Appollonian , in love with proportion and the art of shaping and containing the shapeless and uncontained . Instinctively and inevitably his talent was committed to the increase of civilisation and ...
Page 313
... Plomer than Plomer himself . In fact I would be inclined to say that as an artist his conscious , analytical self has been , perhaps , too severe with the instinctive content and raw material of his spirit . I certainly do not recognise ...
... Plomer than Plomer himself . In fact I would be inclined to say that as an artist his conscious , analytical self has been , perhaps , too severe with the instinctive content and raw material of his spirit . I certainly do not recognise ...
Contents
Voices The By Elizabeth Taylor | 41 |
Mariner Hath His Will The By Thomas E Cooney 443 | 49 |
Fried Eggs are Mediterranean 241 | 67 |
Copyright | |
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Alan ALBEMARLE STREET asked aunt Bamber beautiful began Beith Chisnall Chisnall's colour CORNHILL Cuban dark Davies door English eyes face feel felt Fletcher-Grey Gerald girl glass hand Havana head heard Helen HELEN CRESSWELL Hemingway Hendon human imagination Japanese JOHN BETJEMAN JOHN MURRAY John Murray Publishers Keiko knew Kohsaku Lamorna laugh Laura LAURA KNIGHT light living London looked LYNNE REID BANKS Marguerite mind morning mother moved Mute Singer never night once perhaps Philip play Plomer poems Quemoy remember round Roy Campbell sand seemed Shirley Deane sitting Slezinger smile sound South Africa STANISLAV SZUKALSKI stared stood story street suddenly talk tell things thought Tunbridge Turbott Wolfe turned village voice W. H. Davies walked window woman wonder write Yankel young