The Uttermost Mark: The Dramatic Criticism of Gerard Manley Hopkins, His Dramatic Works, and the Performance ThereofUniversity Press of America, 1990 - 229 pages The Uttermost Mark is the first book to assemble all that Gerard Manley Hopkins had to say about plays, playwrights and the art of playwriting, together with his own dramatic writings, with special attention given to their performance. Dramatic is a word often used in connection with Hopkins' poetry, but his name is rarely associated with the drama. Yet at the beginning and the end of his writing career he was intent on writing plays and much of his literary criticism, to be found for the most part in his letters, is dramatic criticism. Furthermore, some of the more interesting pieces of his early period are dramatic monologues and the best of the poems written during the last years of his life are dramatic lyrics. This book is the first to bring this together. The author brings the shape of Hopkins' dramatic effort into clearer focus: the dramatic criticism is given a distinctness and coherence it has never had before; the dramatic monologues thematically linked and in one instance completed for performance; the dramatic lyrics, taken singly but seen as moments in a mystic drama; and finally, all the existing segments of St. Winefred's Well, treated not in isolation but as parts of a dramatic whole structured for performance. |
Contents
Dramatic Language | 1 |
Dramatic Action | 17 |
The Greeks Shakespeare and Other Playwrights | 35 |
Copyright | |
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accent Aeschylus Aristotle Baillie beauty called Caradoc Carrion Comfort Christ Claude Colleer Abbott dark death despair Dixon Dorothea dramatic monologue Echo edition English experience eyes father Faust feeling Floris fragments Francis Fergusson Gardner Gerard Manley Hopkins Greek GWENLO Gwenvrewi heart hell hope Hopkins says Immortal Diamond inscape Inspirations Unbidden Jesuit kind language later letter lines London Lord Beuno Loyola mean Menedemus mind nature Nero never notes Oxford University Press Parnassian performance perhaps PETR Pilate play playwright plot poem poet poet's Poetics poetry Prometheus quoted R. W. Dixon repent Robert Bridges scene seems sense Shakespeare Sibyl's Leaves Society of Jesus soliloquy sonnet soul speak speaker spoken spring sprung rhythm stage stanzas story stress sweet syllable tell Teryth theatre things thou thought unity of action uttermost mark verse voice whélms Winefred Winefred's word writing written wrote