The Complete Works of Ralph Waldo Emerson: Essays. 1st seriesHoughton, Mifflin, 1903 |
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Page 18
... painted over churches , - a round block in the centre , which it was easy to animate with eyes and mouth , supported on either side by wide- stretched symmetrical wings . What appears once in the atmosphere 18 HISTORY.
... painted over churches , - a round block in the centre , which it was easy to animate with eyes and mouth , supported on either side by wide- stretched symmetrical wings . What appears once in the atmosphere 18 HISTORY.
Page 19
... painted the thunderbolt in the hand of Jove . I have seen a snow - drift along the sides of the stone wall which obviously gave the idea of the common architectural scroll to abut a tower . ' By surrounding ourselves with the original ...
... painted the thunderbolt in the hand of Jove . I have seen a snow - drift along the sides of the stone wall which obviously gave the idea of the common architectural scroll to abut a tower . ' By surrounding ourselves with the original ...
Page 38
... make me feel what periods you have lived . A man shall be the Temple of Fame . He shall walk , as the poets have de- scribed that goddess , in a robe painted all over with wonderful events and experiences ; - his own form 39 HISTORY.
... make me feel what periods you have lived . A man shall be the Temple of Fame . He shall walk , as the poets have de- scribed that goddess , in a robe painted all over with wonderful events and experiences ; - his own form 39 HISTORY.
Page 138
... paint , against the cow- ard and the robber ; but we have been ourselves that coward and robber , and shall be again , - not in the low circumstance , but in comparison with the grandeurs possible to the soul . A little consideration of ...
... paint , against the cow- ard and the robber ; but we have been ourselves that coward and robber , and shall be again , - not in the low circumstance , but in comparison with the grandeurs possible to the soul . A little consideration of ...
Page 178
... paint his maiden to his fancy poor and solitary . Like a tree in flower , so much soft , budding , informing loveliness is society for itself ; and she teaches his eye why Beauty was pictured with Loves and Graces attending her steps ...
... paint his maiden to his fancy poor and solitary . Like a tree in flower , so much soft , budding , informing loveliness is society for itself ; and she teaches his eye why Beauty was pictured with Loves and Graces attending her steps ...
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Common terms and phrases
action appear beauty behold better Bonduca Boston character circle Compensation conversation course on Human divine doctrine earth Emerson Epaminondas essay eternal Evandale experience F. B. Sanborn fact fear feel friendship genius give hand heart heaven Heraclitus Heroism hour intellect John Sterling Journal lecture less light live look man's manner ment mind moral motto nature ness never Nice Valour noble Old Mortality Over-Soul painted passage Perceforest perfect persons Phidias Phocion Plato Plotinus Plutarch Poems poet poetry Polycrates present prudence Pyrrho of Elis Ralph Waldo Emerson relations religion secret seems sense society Sophocles soul speak spirit stand sweet teach thee things thou thought tion to-day true truth ture universal virtue whilst whole William Ellery Channing wisdom words write Xenophon young youth
Popular passages
Page 401 - By the struggling moonbeam's misty light And the lantern dimly burning. No useless coffin enclosed his breast, Not in sheet nor in shroud we wound him ; But he lay like a warrior taking his rest, With his martial cloak around him.
Page 405 - A servant with this clause Makes drudgery divine : Who sweeps a room, as for Thy laws, Makes that and th
Page 50 - Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater.
Page 389 - A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall.
Page 64 - The inquiry leads us to that source, at once the essence of genius, of virtue, and of life, which we call Spontaneity or Instinct. We denote this primary wisdom as Intuition, whilst all later teachings are tuitions.
Page 381 - The moon on the east oriel shone, Through slender shafts of shapely stone, By foliaged tracery combined ; Thou would'st have thought some fairy's hand, "Twixt poplars straight, the osier wand, In many a freakish knot, had twined ; Then framed a spell, when the work was done, And changed the willow wreaths to stone.
Page 417 - Far or forgot to me is near; Shadow and sunlight are the same; The vanished gods to me appear; And one to me are shame and fame. They reckon ill who leave me out; When me they fly, I am the wings; I am the doubter and the doubt, And I the hymn the Brahmin sings.
Page 47 - A man is relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise, shall give him no peace. It is a deliverance which does not deliver. In the attempt his genius deserts him; no muse befriends; no invention, no hope. Trust thyself: every heart vibrates to that iron string. Accept the place the divine Providence has found for you; the society of your contemporaries, the connexion of events.
Page 271 - God comes to see us without bell :" that is, as there is no screen or ceiling between our heads and the infinite heavens, so is there no bar or wall in the soul, where man, the effect, ceases, and God, the cause, begins. The walls are taken away. We lie open on one side to the deeps of spiritual nature, to all the attributes of God.
Page 269 - Meantime within man is the soul of the whole; the wise silence; the universal beauty, to which every part and particle is equally related; the eternal ONE. And this deep power in which we exist and whose beatitude is all accessible to us, is not only self-sufficing and perfect in every hour, but the act of seeing and the thing seen, the seer and the spectacle, the subject and the object, are one.