Language Machines: Technologies of Literary and Cultural ProductionLanguage Machines questions any easily progressive model of technological change, demonstrating the persistence rather than the obsolescence of language technologies over time, the continuous and complicated overlap of pens, presses, screens and voice. In these essays new technologies do not simply replace, but rather draw upon, absorb, displace and resituate earlier technologies. |
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Contents
Writing as a Woman | 17 |
The Duplicity of the Pen | 39 |
Pressing Subjects Or The Secret Lives of | 75 |
Print Culture and Literary Markets in Colonial India | 108 |
Screening Time | 137 |
Transmedia Appropriations | 160 |
The Condition of Virtuality | 183 |
VOICE | 205 |
Artauds Voice | 233 |
Voice in CyberPidgin | 252 |
Contributors | 273 |
Other editions - View all
Language Machines: Technologies of Literary and Cultural Production Jeffrey Masten,Peter Stallybrass,Nancy Vickers No preview available - 1997 |
Common terms and phrases
American appears argued Artaud attempt authorship becomes begin body called Cambridge century cinema claims collective colonial communications compositor contingent copy critical culture death desire developed diegesis discourse early effect electric English essay event example experience fact Figure function hand handwriting History human hypertext important Indian individual John kind language letter literary Literature live London machine manuscript mark Mary material meaning move NANCY VICKERS narrative once original penmanship performance period play Poe's poem political position possible practice present produced question reading references relation representation resistance screen seems sense shows social Society sound space spelling structure suggest Surrey telegraph television temporality theatre theory Thomas tion turn University Press virtual voice woman writing written York