Essays First SeriesRalph Waldo Emerson (May 25, 1803 – April 27, 1882),[7] who went by his middle name Waldo, was an American essayist, lecturer, philosopher, abolitionist and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States. |
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Universal history, the poets, the romancers, do not in their stateliest pictures,—in the sacerdotal, the imperial palaces, in the triumphs of will or of genius,—anywhere lose our ear, anywhere make us feel that we intrude, ...
Universal history, the poets, the romancers, do not in their stateliest pictures,—in the sacerdotal, the imperial palaces, in the triumphs of will or of genius,—anywhere lose our ear, anywhere make us feel that we intrude, ...
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Books, monuments, pictures, conversation, are portraits in which he finds the lineaments he is forming. The silent and the eloquent praise him and accost him, and he is stimulated wherever he moves, as by personal allusions.
Books, monuments, pictures, conversation, are portraits in which he finds the lineaments he is forming. The silent and the eloquent praise him and accost him, and he is stimulated wherever he moves, as by personal allusions.
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A particular picture or copy of verses, if it do not awaken the same train of images, will yet superinduce the same sentiment as some wild mountain walk, although the resemblance is nowise obvious to the senses, but is occult and out of ...
A particular picture or copy of verses, if it do not awaken the same train of images, will yet superinduce the same sentiment as some wild mountain walk, although the resemblance is nowise obvious to the senses, but is occult and out of ...
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its very looks and manners, the same power and beauty that a gallery of sculpture or of pictures addresses. Civil and natural history, the history of art and of literature, must be explained from individual history, or must remain words ...
its very looks and manners, the same power and beauty that a gallery of sculpture or of pictures addresses. Civil and natural history, the history of art and of literature, must be explained from individual history, or must remain words ...
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Such are the Agamemnon and Diomed of Homer, and not far different is the picture Xenophon gives of himself and his compatriots in the Retreat of the Ten Thousand. “After the army had crossed the river Teleboas in Armenia, ...
Such are the Agamemnon and Diomed of Homer, and not far different is the picture Xenophon gives of himself and his compatriots in the Retreat of the Ten Thousand. “After the army had crossed the river Teleboas in Armenia, ...
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