The Aesthetics of Enchantment in the Fine Arts, Volume 65Marlies Kronegger, Anna-Teresa Tymieniecka Springer Science & Business Media, 2000 M05 31 - 324 pages Published under the auspices of The World Institute for Advanced Phenomenological Research and Learning, 19 essays document the April 1998 international congress held at Harvard University. They ponder on such topics as the phenomenology of the experience of enchantment, Leonardo's enchantress, the ambiguous meaning of musical enchantment in Kant's Third Critique, art and the reenchantment of sensuous human activity, the creative voice, the allure of the Naza, Henri Matisse's early critical reception in New York, Zizek's sublimicist aesthetic of enchanted fantasy, and enchantment in Baroque festive court performance in France. There is no subject index. Annotation copyrighted by Book News Inc., Portland, OR |
Other editions - View all
The Aesthetics of Enchantment in the Fine Arts M. Kronegger,Anna-Teresa Tymieniecka Limited preview - 2013 |
The Aesthetics of Enchantment in the Fine Arts M. Kronegger,Anna-Teresa Tymieniecka No preview available - 2014 |
The Aesthetics of Enchantment in the Fine Arts M. Kronegger,Anna-Teresa Tymieniecka No preview available - 2010 |
Common terms and phrases
Adorno and Marcuse Aeschylus aesthetic aesthetic enchantment aesthetic experience Alfred Stieglitz artist artworks Bacon Baroque beauty become Bernard Pagès body cognitive color concepts consciousness context creative critical cultural Der Steppenwolf dimension discourse dream effect Emerson empirical enchantment Euryale everyday life-world existence existential experience of enchantment expression external fantasy figure frottola Hesiod Hesse Hesse's human Husserl Husserliana Ibid idea imagination individual Infanta Marina interior interpretation intuitive Kant Kant's Kronegger and A-T language Lartigue Leonardo life-world light lives Louis XIV Matisse Matisse's Maurice Merleau-Ponty meaning Merleau-Ponty metaphor mind mystery narrative nature Naza negation object Pagès's painting Paris perception Phenomenology philosophy play poet poetic poetry Portobelo possible present reality realm reflection relation relationship sculpture sense sensuous Siddharta song soul space spiritual structure subjective sublime symbolic tension Theodor Adorno theory things thought tradition trans transcendent truth understanding Vermeer viewer visual voice Wallace Stevens words Zizek