Passive Constitutions or 7 1/2 Times Bartleby

Front Cover
Stanford University Press, 2007 - 210 pages
This book represents an analysis of one of the most enigmatic characters in American literature. At the same time, it addresses various questions in Melville's writings, such as passivity, identity, the impersonal and neutral, sexuality and the question of marriage, drug addiction, and ethics (especially the problem of testifying and friendship). Reference is made to the whole range of Melville's writings (excluding his poetry), and each chapter situates the question it treats within a larger cultural or theoretical context, such as the legacy of American Puritanism, the appearance of the first American asylums, Melville's treatment of the institutionalization of madness, and the appearance of certain semi-sciences (mesmerism, physiognomy, palmistry, and so on). The book thus covers Melville's thinking concerning American society, his relationship to the law, his treatment of the arts (specifically Turner's paintings), and his responses to the appearance of meteorology, reading such matters as a political and philosophical statement concerning the modern world.

 

Contents

Bartleby or Error Green Screen II
11
Bartleby or Melancholy Window with No View at All
33
Bartleby or Stupidity Black Wall
53
Bartleby or the Junkie White Wall
69
Bartleby or the Impersonal White Wall and Green Screen
83
Bartleby or the Celibatory Machine Bachelors Hall
109
Bartleby or the Witness Between Smiling and Weeping
133
Notes
167
Index
207
Copyright

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About the author (2007)

Branka Arsic is Associate Professor of English at SUNY, Albany. She is the author of The Passive Eye: Gaze and Subjectivity in Berkeley (Stanford, 2000).

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