Culture, Creativity and Environment: New Environmentalist Criticism
Culture, Creativity and Environment: New Environmentalist Criticism is a collection of new work which examines the intersection between philosophy, literature, visual art, film and the environment at a time of environmental crisis. This book is unusual in the way in which the 'imaginative', 'creative', element is privileged, notwithstanding the creativity of rigorous cultural criticism. Genuinely interdisciplinary, this book aims to be inclusive in its discussions of diverse cultural media (different literary genres, art forms and film for instance), which offer thoughtful and thought-provoking critiques of our relationships with the environment. Our ability to transcend the ethical and aesthetic categories and discourses that have contributed to our alienation from our environment is dependant upon an enlargement of our imaginative capacities. In a modest way this book might contribute to what Ted Hughes, speaking of the imagination of each new child, described as “nature's chance to correct culture's error”.
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aesthetic Alscher anthropocentric Anya Gallaccio argues argument Arnold Fanck artists association Barry MacSweeney become Book of Demons Cambridge concept concerns contemporary creatures critique culture David Bomberg Deep Ecology discourses domestic earth ecocriticism ecocritics ecological Emerson environment environmental environmentalist essay ethical experience Fanck’s flowers forest garden genre German Glaschu grass Green Political Heidegger Heidegger’s Heimat Heimatfilm Housekeeping human hunter hunting Ibsen’s imagination Kynde land landscape Langland language literary literary topos literature living London Löns MacSweeney material means Meeker Merleau-Ponty metaphor Mill Mill’s modern mountain film natural environment natural world nature’s non-human notion novel Ortega painting Pearl perspective philosophy Piers Plowman plants Plumwood poem political economy relation relationship Repens Romanticism Routledge Ruth Ruth’s sense sequence Snowville social space species spiritual Stockmann stone stories sublime suggests things Thylacine traditional Trenker’s University Press Val Plumwood viewer Wil’s wild animals women wonder writing
Page 42 - What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings ; which had no connexion with struggle or imperfection, but would be made richer...