Cavell on Film
Stanley Cavell's most important writings on cinema, collected together for the first time in one volume.
This extensive collection offers a substantially complete retrospective of Stanley Cavell’s previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their composition, range from major theoretical statements and extended critical studies of individual films or filmmakers to occasional pieces, all of which illuminate Cavell’s practice of philosophy as it has developed in the more than three decades since the publication of The World Viewed. All periods of Cavell’s career are represented, from the 1970s to the present, and the book includes many previously unpublished essays written since the early 1990s. In his introduction, William Rothman provides a useful and eloquent overview of Cavell’s work on film and his aims as a philosopher more generally.
Stanley Cavell is Walter M. Cabot Professor Emeritus of Aesthetics and the General Theory of Value at Harvard University. His most recent book is Cities of Words: Pedagogical Letters on a Register of the Moral Life.
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What Becomes of Things on Film? 1978
On Makavejev on Bergman 1979
th by Northwest 1981
The Fact of Television 1982
The Thought of Movies 1983
What Good Is a Film Museum? What Is a Film Culture? 1983
What Photography Calls Thinking 1985
A Capra Moment 1985
The Fantastic of Philosophy 1986
Two Cheers for Romance 1988
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