Cavell on FilmStanley Cavell's most important writings on cinema, collected together for the first time in one volume. This extensive collection offers a substantially complete retrospective of Stanley Cavell’s previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their composition, range from major theoretical statements and extended critical studies of individual films or filmmakers to occasional pieces, all of which illuminate Cavell’s practice of philosophy as it has developed in the more than three decades since the publication of The World Viewed. All periods of Cavell’s career are represented, from the 1970s to the present, and the book includes many previously unpublished essays written since the early 1990s. In his introduction, William Rothman provides a useful and eloquent overview of Cavell’s work on film and his aims as a philosopher more generally. Stanley Cavell is Walter M. Cabot Professor Emeritus of Aesthetics and the General Theory of Value at Harvard University. His most recent book is Cities of Words: Pedagogical Letters on a Register of the Moral Life. |
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Contents
What Becomes of Things on Film? 1978 | 1 |
On Makavejev on Bergman 1979 | 11 |
th by Northwest 1981 | 41 |
The Fact of Television 1982 | 59 |
The Thought of Movies 1983 | 87 |
What Good Is a Film Museum? What Is a Film Culture? 1983 | 107 |
What Photography Calls Thinking 1985 | 115 |
A Capra Moment 1985 | 135 |
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aesthetic affinity American audience become Bergman’s Bette Davis camera Capra Cary Grant Cavell Cavell’s claim collection comedies of remarriage criticism culture death define definition Emerson essay example existence experience expression fact fantasy field figure film film’s final find finding first fit Freud further genre Godard’s Groucho Happened One Night Heidegger hence Hitchcock Hollywood human idea identified imagine intellectual interest Katharine Hepburn Lady Eve lives Makavejev man’s marriage Marx Brothers matter mean medium moral museum narrative Nietzsche Nietzsche’s North by Northwest object one’s opening opera pair perfectionism perhaps Philadelphia Story philosophy play present Pursuits of Happiness question reflect relation remarriage comedy response Rohmer’s romantic screen seems sense sequence Shakespeare’s significance skepticism speak specifically Stanley Cavell sufficient suggests Sweet Movie television theater things Thoreau thought tion understand VVittgenstein’s Warshow wish Wittgenstein woman words writing