Three Books of Song

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James R. Osgood, 1872 - 203 pages
 

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Page 133 - It is good, being put to death by men, to look for hope from God to be raised up again by him : as for thee, thou shalt have no resurrection to life.
Page 128 - I cannot tell how ye came into my womb : for I neither gave you breath nor life, neither was it I that formed the members of every one of you; but doubtless the Creator of the world, who formed the generation of man, and found out the beginning of all things, will also, of his own mercy, give you breath and life again, as ye now regard not your own selves for his laws
Page 202 - THOU that from the heavens art. Every pain and sorrow stillest, And the doubly wretched heart Doubly with refreshment fillest, I am weary with contending ! Why this rapture and unrest ? Peace descending Come, ah, come into my breast ! II.
Page 84 - Seemed to them the bread and wine. In his heart the Monk was praying, Thinking of the homeless poor, What they suffer and endure ; What we see not, what we see ; And the inward voice was saying : " Whatsoever thing thou doest To the least of mine and lowest, That thou doest unto me !
Page 82 - With persistent iteration He had never heard before. It was now the appointed hour When alike in shine or shower, Winter's cold or summer's heat, To the convent portals came All the blind and halt and lame, All the beggars of the street, For their daily dole of food Dealt them by the brotherhood; And their almoner...
Page 84 - But to-day, they knew not why, Like the gate of Paradise Seemed the convent gate to rise, Like a sacrament divine Seemed to them the bread and wine. In his heart the Monk was praying, Thinking of the homeless poor, What they suffer and endure; What we see not, what we see ; And the inward voice was saying: "Whatsoever thing thou doest To the least of mine and lowest, That thou doest unto me.
Page 12 - Unravelled at the end, and, strand by strand, Loosened and wasted in the ringer's hand, Till one, who noted this in passing by, Mended the rope with braids of briony, So that the leaves and tendrils of the vine Hung like a votive garland at a shrine.
Page 81 - Then amid his exaltation, Loud the convent bell appalling, From its belfry calling, calling, Rang through court and corridor, With persistent iteration He had never heard before.
Page 83 - Would the Vision there remain ? Would the Vision come again ? Then a voice within his breast Whispered, audible and clear As if to the outward ear : " Do thy duty ; that is best ; Leave unto thy Lord the rest ! " Straightway to his feet he started, And with longing look intent On the Blessed Vision bent, Slowly from his cell departed, Slowly on his errand went. At the gate the poor were waiting, Looking through the iron grating, With that terror in the eye That is only seen in those Who amid their...

About the author (1872)

During his lifetime, Longfellow enjoyed a popularity that few poets have ever known. This has made a purely literary assessment of his achievement difficult, since his verse has had an effect on so many levels of American culture and society. Certainly, some of his most popular poems are, when considered merely as artistic compositions, found wanting in serious ways: the confused imagery and sentimentality of "A Psalm of Life" (1839), the excessive didacticism of "Excelsior" (1841), the sentimentality of "The Village Blacksmith" (1839). Yet, when judged in terms of popular culture, these works are probably no worse and, in some respects, much better than their counterparts in our time. Longfellow was very successful in responding to the need felt by Americans of his time for a literature of their own, a retelling in verse of the stories and legends of these United States, especially New England. His three most popular narrative poems are thoroughly rooted in American soil. "Evangeline: A Tale of Acadie" (1847), an American idyll; "The Song of Hiawatha" (1855), the first genuinely native epic in American poetry; and "The Courtship of Miles Standish" (1858), a Puritan romance of Longfellow's own ancestors, John Alden and Priscilla Mullens. "Paul Revere's Ride," the best known of the "Tales of a Wayside Inn"(1863), is also intensely national. Then, there is a handful of intensely personal, melancholy poems that deal in very successful ways with those themes not commonly thought of as Longfellow's: sorrow, death, frustration, the pathetic drift of humanity's existence. Chief among these are "My Lost Youth" (1855), "Mezzo Cammin" (1842), "The Ropewalk" (1854), "The Jewish Cemetery at Newport" (1852), and, most remarkable in its artistic success, "The Cross of Snow," a heartfelt sonnet so personal in its expression of the poet's grief for his dead wife that it remained unpublished until after Longfellow's death. A professor of modern literature at Harvard College, Longfellow did much to educate the general reading public in the literatures of Europe by means of his many anthologies and translations, the most important of which was his masterful rendition in English of Dante's Divine Comedy (1865-67).

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