Psyche and Symbol in the Theater of Federico García Lorca: Perlimplín, Yerma, Blood Wedding

adult animal appears aspect attitude balconies barren behavior Belisa Blood Wedding Bride character child conflict consciousness creative critics death depicted Díaz-Plaja discussion don Perlimplín dramatic duende ego-consciousness Erich Neumann Ernest Jones erotic fact fairy tale fantasy Federico García Lorca fertility five strangers force forest Freud Freudian frigid Grimm's Fairy Tales hermaphrodite hero human husband Ibid infantile instinct Interpretation of Dreams James Agee Juan Juan's killed kind Lady Leonardo libido limplín lover lullaby magic male manifest Marchita Marcolfa María marriage married masculinity material means moon moral mother motif neurotic never one's Perlimplín Perlimplín's suicide person phallic dwarf phallic stage phallus Pierrot play poet primitive problem psyche psychic psychological represents Rumpelstiltskin says scene schlemiel seeks sense sexual singing sleep Snorri Sturluson solar horse soul Spanish spiritual sterile story symbolic takes theory tree Trickster unconscious wedding night woman women woodcutter Yerma young