Inviolable Voice: History and Twentieth-century Poetry

abstract actual aesthetic alien ambiguous aristocratic artist Auden becomes bourgeois called Cantos centre civilisation consciousness culture dark dead death distance dream emotions English Enright experience Ezra Ezra Pound Faber and Faber face fascism feels figure final gulf Gunn Hardy Hardy's heart Hughes Hughes's human identity imagery individual talent insists landscape language Larkin last line living London look meaning memory merely mind movement Mussolini never nostalgia once opening past pattern Philip Larkin Plath Plath's poetry poem poet poet's poetic political Pound Prufrock R. S. Thomas radical reality revolution Robert Lowell says seems sense shadow significance silence social song speaks speech Spender stanza Stephen Spender strangely struggle suggests Sylvia Plath T. S. Eliot Ted Hughes things Thom Gunn Thomas Thomas's Tiresias tradition transformed turn vision W. H. Auden Waste Land whole window words writing