The Greek World Under Roman Sway

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Macmillan, 1890 - 418 pages
 

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Page 47 - And I will cause the noise of thy songs to cease ; and the sound of thy harps shall be no more heard. And I will make thee like the top of a rock : thou shalt be a place to spread nets upon ; thou shalt be built no more: for I the Lord have spoken it, saith the Lord God.
Page 7 - READINGS ON THE PURGATORIO OF DANTE Chiefly based on the Commentary of Benvenuto da Imola. By the Hon. WW VERNON, MA With an Introduction by Dean CHURCH. 2 vols. Cr. 8vo.
Page 27 - SHORT LETTERS. 2. WORDS CONSISTING OF SHORT LETTERS. 3. LONG LETTERS. With Words containing Long Letters — Figures. 4. WORDS CONTAINING LONG LETTERS. 4a. PRACTISING AND REVISING COPY-BOOK.
Page 26 - Cr. 8vo. y. 6d. each. ROBBERY UNDER ARMS : A Story of Life and Adventure in the Bush and in the Goldfields of Australia. THE MINER'S RIGHT. THE SQUATTER'S DREAM. A SYDNEY-SIDE SAXON. A COLONIAL REFORMER. NEVERMORE. 3 vols. Cr. 8vo. 3is. 6d. BURNETT (Frances Hodgson).-HA\voRTH's. Globe 8vo. 2s. LOUISIANA, and THAT LASS o
Page 52 - V. Containing the Subjects of Euclid's first Six Books. Following the Syllabus of the Geometrical Association. By the Rev.
Page 19 - THE CLASSICAL ELEMENT IN THE NEW TESTAMENT. Considered as a Proof of its Genuineness, with an Appendix on the Oldest Authorities used in the Formation of the Canon. By CH HOOLE.
Page 17 - GRIMM'S FAIRY TALES. A Selection from the Household Stories. Translated from the German by LUCY CRANE, and done into Pictures by WALTER CRANE. Crown 8vo. 6s.
Page 11 - THE GROWTH OF THE RECRUIT AND YOUNG SOLDIER. With a view to the selection of "Growing Lads" for the Army, and a Regulated System of Training for Recruits.
Page 46 - SURGERY (THE INTERNATIONAL ENCYCLOPAEDIA OF). A Systematic Treatise on the Theory and Practice of Surgery by Authors of various Nations.
Page 389 - ... notice. Whether they were kept secret from the cavils of the Greeks we know not ; but considering the principles openly asserted in those days, considering the slavish adherence to the great Attic models, what was more obvious, what more certain, than that such pictures as the opening scenes of St. Luke's Gospel or the Sermon on the Mount would be despised by the critics as the work of late-learning and self-taught people, who knew nothing of the art of expression or of the laws of composition?...

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