Empathy and the NovelDoes empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers. |
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Contents
Contemporary Perspectives on Empathy | 3 |
The Literary Career of Empathy | 37 |
Readers Empathy | 65 |
Copyright | |
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action activity actual aesthetic altruism appears argues aspects authors become behavior believe better brain chapter character identification cognitive common connection contemporary contribute critics cultivation cultural David describes Development discussion distress effects emotional empa empathetic emphasize engagement especially ethical evidence experience feeling female fictional characters gender historical human identification imagination individuals influence instance invite involved kind lead literary literature lives London means mind moral motives narration narrative empathy nature novel reading novelists observes occur offers pain particular person perspective play political popular positive practice present Press prosocial psychology question reactions readers received recent regard reports representation response result role sense shared situation social story subjects suffering suggests sympathy taking techniques term texts theory tion understanding University victims women writing York