The Musical Quarterly, Volume 11

Académie de Musique æsthetic appear appreciation artistic Bach beauty Beethoven Bizet Carmen century chants charm chord church clavichord composers composition concert creative critics dance Debussy dramatic Édouard Lalo effect emotion expression fact feeling folk-song French fugue gallant genius Georges Migot German harmony harpsichord Haydn hear Heine ideas influence inspiration instruments interest Italian Lalo less Liszt Loeffler Lully lyric major master melody Migot minor mode modern mood Moussorgsky Mozart musicians nature never Nietzsche notes opera orchestra organist Paris Parsifal Pedrell Pedrell's performance Perrin piano play poems poet poetry polyphony published quartet regard rhythm rhythmic Richard Strauss Richard Wagner Robert Schumann rococo romanticism Russian Schumann sense singers singing Sonata songs soul sound spirit strings style Symphony theme Theodore Baker things thought tion to-day tonal tone Tristan verse violin vocal voice Wagner Weber words writing written wrote