Littell's Living Age, Volume 47Living Age Company Incorporated, 1855 |
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Page 42
... hope should like the fu- ture better than the past . " " How old is Charley ? " asked Harcourt , anxious to engage him on some other theme . " He'll be fifteen , I think , his next birth- day ; he seems older , doesn't he ? " " Yes ...
... hope should like the fu- ture better than the past . " " How old is Charley ? " asked Harcourt , anxious to engage him on some other theme . " He'll be fifteen , I think , his next birth- day ; he seems older , doesn't he ? " " Yes ...
Page 53
... hope that the Laureate had emerged from the fog , but he again becomes indistinct and distorted . However , the worst is past , for we verily believe it would be impossible for ingenuity itself to caricature the commence- ment . Maud ...
... hope that the Laureate had emerged from the fog , but he again becomes indistinct and distorted . However , the worst is past , for we verily believe it would be impossible for ingenuity itself to caricature the commence- ment . Maud ...
Page 64
... hope . Above all , she had the rarely femi- nine quality of being able - let the vexed ques- tion be ever so confused , and her own feelings ever so mixed up therewith - always to see clearly the other side . -a " Honor and shame from ...
... hope . Above all , she had the rarely femi- nine quality of being able - let the vexed ques- tion be ever so confused , and her own feelings ever so mixed up therewith - always to see clearly the other side . -a " Honor and shame from ...
Page 79
... hope too much , and caution me that in marriage , no doubt , as in every temporal estate , there was much to en- dure as well as much to enjoy . " Not hope too much ! " I startled her one day by passion- ately exclaiming . " Was there ...
... hope too much , and caution me that in marriage , no doubt , as in every temporal estate , there was much to en- dure as well as much to enjoy . " Not hope too much ! " I startled her one day by passion- ately exclaiming . " Was there ...
Page 132
... hope that ple writing in the third person instead of sign- these peccadilloes of the collecting mania had ing their names . We remember an enterpriz- ceased in these our purer days ; were it not ing and alert collector of this class ...
... hope that ple writing in the third person instead of sign- these peccadilloes of the collecting mania had ing their names . We remember an enterpriz- ceased in these our purer days ; were it not ing and alert collector of this class ...
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Popular passages
Page 134 - I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges.
Page 16 - O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head ; Then shine the vales, the rocks in prospect rise, A flood of glory bursts from all the skies; The conscious swains, rejoicing in the sight. Eye the blue vault, and bless the useful light.
Page 33 - There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
Page 346 - tis certain ; very sure, very sure : death, as the Psalmist saith, is certain to all ; all shall die.
Page 134 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
Page 33 - She is coming, my dove, my dear; She is corning, my life, my fate; The red rose cries, "She is near, she is near"; And the white rose weeps, "She is late"; The larkspur listens, "I hear, I hear"; And the lily whispers, "I wait.
Page 30 - Sooner or later I too may passively take the print Of the golden age - why not? I have neither hope nor trust; May make my heart as a millstone, set my face as a flint, Cheat and be cheated, and die: who knows? we are ashes and dust.
Page 33 - For the black bat, night, has flown, Come into the garden, Maud, I am here at the gate alone ; And the woodbine spices are wafted abroad, And the musk of the rose is blown.
Page 33 - For ever and ever, mine.' VI And the soul of the rose went into my blood, As the music clash'd in the hall ; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all...
Page 127 - A stranger yet to pain! I feel the gales, that from ye blow, A momentary bliss bestow, As waving fresh their gladsome wing, My weary soul they seem...