Empathy and the NovelOxford University Press, 2007 M04 19 - 274 pages Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers. |
From inside the book
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Page xiii
Suzanne Keen. in inviting (or retarding) readers' empathic responses. This means that for some readers, the author's use of the formulaic conventions of a thriller or a romance novel would increase empathetic resonance, while for other ...
Suzanne Keen. in inviting (or retarding) readers' empathic responses. This means that for some readers, the author's use of the formulaic conventions of a thriller or a romance novel would increase empathetic resonance, while for other ...
Page xiv
... readers may respond in those circumstances as a result of earlier reading. The position of the reader with respect to the author's strategic empathizing in fictional world-making limits these potential results. I theorize that bounded ...
... readers may respond in those circumstances as a result of earlier reading. The position of the reader with respect to the author's strategic empathizing in fictional world-making limits these potential results. I theorize that bounded ...
Page xv
... reading cultivates empathy that produces good citizens for the world. I affirm the robustness of narrative empathy, as an affective transaction accomplished through the writing and reading of fiction, but I hesitate to tether readers ...
... reading cultivates empathy that produces good citizens for the world. I affirm the robustness of narrative empathy, as an affective transaction accomplished through the writing and reading of fiction, but I hesitate to tether readers ...
Page xvi
... readers sometimes become novelists. What dedicated reader would question the importance of novel reading if it produces the vocations of writers themselves? That all of these desirable effects of novel reading fall into jeopardy when a ...
... readers sometimes become novelists. What dedicated reader would question the importance of novel reading if it produces the vocations of writers themselves? That all of these desirable effects of novel reading fall into jeopardy when a ...
Page xvii
... reading enriches the lives and stimulates the imaginations of dedicated readers, but as any bookworm knows, readers can also seem antisocial and indolent. Novel reading is not a team sport. It not only encourages but also requires a ...
... reading enriches the lives and stimulates the imaginations of dedicated readers, but as any bookworm knows, readers can also seem antisocial and indolent. Novel reading is not a team sport. It not only encourages but also requires a ...
Contents
1 Contemporary Perspectives on Empathy | 3 |
2 The Literary Career of Empathy | 37 |
3 Readers Empathy | 65 |
4 Empathy in the Marketplace | 101 |
5 Authors Empathy | 121 |
6 Contesting Empathy | 145 |
A Collection of Hypotheses about Narrative Empathy | 169 |
Notes | 173 |
Works Cited | 209 |
Index | 235 |
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Common terms and phrases
activity aesthetic altruism Anil’s Ghost another’s argues authors Batson behavior believe Book Club brain Butler C. K. Stead chapter character identification character’s cognitive compassion contemporary cultivation cultural Daniel Batson discussion effects of reading Efuru emotional contagion emotional responses empa empathetic reading experiences empathetic response empathic inaccuracy emphasize ethical false empathy female Female Genital Cutting fictional characters fictional worlds fMRI gender genres Hakemulder Hoffman imagination individuals instance intentionally left blank J. K. Rowling Kuiken literary reading literature Martha Nussbaum Miall middlebrow mirror neurons Mistry’s Moral Development motives Nancy Eisenberg narration narrative empathy novel reading novelists Nussbaum Octavia Butler Ondaatje one’s Oprah personal distress popular postcolonial prosocial action psychologists reactions readers representation rescuers responses to fiction result role taking role-taking shared feeling social story suggests sympathy texts theorists theory tion tive understanding universal victims Victorian Wayne Booth Winfrey Winfrey’s women writing