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" So deeply had she drunken in That look, those shrunken serpent eyes, That all her features were resigned To this sole image in her mind: And passively did imitate That look of dull and treacherous hate! "
The Eclectic Review - Page 565
edited by - 1816
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The Romantic Mother: Narcissistic Patterns in Romantic Poetry

Barbara A. Schapiro - 1983 - 168 pages
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The New Moulton's Library of Literary Criticism: Early Victorian

1985 - 672 pages
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The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats

Charles J. Rzepka - 1986 - 312 pages
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Venomous Woman: Fear of the Female in Literature

Margaret Hallissy - 1987 - 200 pages
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The Batsford Book of English Poetry: Chaucer to Arnold

Barbara Lloyd Evans - 1989 - 1238 pages
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Refiguring the Father: New Feminist Readings of Patriarchy

Patricia Yaeger, Elizabeth Kowaleski-Wallace - 1989 - 352 pages
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Fragmentation by Decree: Coleridge and the Text of Romanticism

Fritz Gutbrodt - 1990 - 316 pages
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The Rime of the Ancient Mariner and Other Poems

Samuel Taylor Coleridge - 1992 - 84 pages
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Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession

Susan Eilenberg - 1992 - 302 pages
...alas! her thoughts are gone, She nothing sees — no sight but one! The maid, devoid of guile and sin, I know not how, in fearful wise, So deeply had she...shrunken serpent eyes, That all her features were resigned To this sole image in her mind: And passively did imitate That look of dull and treacherous...
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems

Jack Stillinger - 1994 - 268 pages
...Tumbling (made out of Tumbles) T6 591 a] not in MSS 596 on] o'er Tl The maid, devoid of guile and sin, eoo I know not how, in fearful wise So deeply had she...shrunken serpent eyes, That all her features were resigned To this sole image in her mind; 605 And passively did imitate That look of dull and treacherous...
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