| Rachel Blau DuPlessis - 2001 - 260 pages
...logopoeic critique of poetry's foundational cluster via Edgar Allen Poe's remarkable statement ". . . the death, then, of a beautiful woman is, unquestionably, the most poetical topic in the world" (Poe 1984, 19). In his essay, this conclusion is a triumphant synthesis, with the glue being Woman,... | |
| Katherine Hemple Prown - 2001 - 228 pages
..."tone" of all good poetry. And since death is the most melancholy of all subjects, Poe concluded that "the death, then, of a beautiful woman is, unquestionably, the most poetical topic in the world" (1082-84). P°e had merely articulated the rationale behind an aesthetic principle that had informed... | |
| Russ Castronovo - 2001 - 372 pages
...Perhaps Poe best appreciated women's death as an occasion of male cathexis in his 1846 remark that "the death, then, of a beautiful woman is, unquestionably the most poetical topic in the world." 1o3 Poe is only about half right, however. The image of a dead woman is one of the most political topics... | |
| J. Gerald Kennedy, Liliane Weissberg - 2001 - 314 pages
...famously wrote in his scientific analysis of "The Raven" in "The Philosophy of Composition" (1846): "[T]he death, then, of a beautiful woman is, unquestionably, the most poetical topic in the world" (Works, 14:201). In the poem, however, the "lost Lenore," like Ligeia and Madeline Usher, refuses to... | |
| Paul C. Jones - 2005 - 252 pages
...women. This should not be surprising, considering Poe's often quoted assertion that "the death ... of a beautiful woman is, unquestionably, the most poetical topic in the world" (Essays 19). As Joan Dayan and Richard Gray have argued, it is not a stretch to equate the antebellum... | |
| Lisa Vollendorf - 2001 - 240 pages
...Allen Poe as a focal point for her analyses of the conflation of women, death, and beauty: "the death of a beautiful woman is, unquestionably, the most poetical topic in the world." In dealing with the connection between death and femininity, she summarizes Eugénie LemoineLuccioni's... | |
| Paul Gilmore - 2001 - 292 pages
...UP, 1999] 91). 11 Given Poe's infamous identification of poetic beauty with women ("the death . . . of a beautiful woman is, unquestionably, the most poetical topic in the world" [ER 19]; "[The Poet] feels [poetry] in the beauty of women" [£/?93]), it has become a commonplace... | |
| Anna Sonser - 2001 - 180 pages
...with her serious problems of anemia and pneumonia" (374). True to Poe's aesthetic that "the death . . .of a beautiful woman is, unquestionably, the most poetical topic in the world" ("Philosophy" 19), Veronica finds her recovery disappointing: Her thin cheeks were growing rounded... | |
| Wendy Steiner - 2002 - 332 pages
...obvious reply. "And when . . . is this most melancholy of topics most poetical?" . . . the answer ... is obvious — "When it most closely allies itself...is, unquestionably, the most poetical topic in the world."8' In Poe's Formalist account of poetic beauty, the death of a beautiful woman is the perfect... | |
| Ricardo Araújo - 2002 - 158 pages
...melancolia? Para Põe, a nascente desses dois estados se encontra no tema da morte: When it [o tema morte] closely allies itself to Beauty: the death, then,...is, unquestionably, the most poetical topic in the vvorld - and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved... | |
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