| Brian B. Ritchie - 1999 - 362 pages
...sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears... | |
| Stephen Orgel, Sean Keilen - 1999 - 356 pages
...it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears... | |
| Valeria Wagner - 1999 - 288 pages
...Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears... | |
| Tom Lutz - 2001 - 358 pages
...one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all the visage wann'd, Tears... | |
| Joan Ackermann - 1999 - 60 pages
...passenger seat. GABE. Now I am alone. O, what a rogue and pleasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage waned, Tears... | |
| Bruce R. Smith - 2000 - 194 pages
...has, in physical fact, breathed in the very spirit of Hecuba. 'Is it not monstrous', Hamlet wonders, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned.... | |
| Gail Holst-Warhaft - 2000 - 252 pages
...Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears... | |
| Lawrence Schoen - 2001 - 240 pages
...Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wan'd; Tears... | |
| William Shakespeare - 2001 - 304 pages
...Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd,... | |
| Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 282 pages
...interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears... | |
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