| John O. Whitney, Tina Packer - 2002 - 321 pages
...I thought: Who better than Emerson to solve Polonius's paradox, especially since Emerson also said, "In every work of genius we recognize our own rejected...come back to us with a certain alienated majesty." Then I read the essay more carefully. Emerson spoke beautifully to the first half of the paradox "To... | |
| Alan Jacobs - 2009 - 197 pages
...the outmost,—and our first thought is rendered back to us by the trumpets of the Last Judgment. ... In every work of genius we recognize our own rejected...come back to us with a certain alienated majesty" (Essays 259). Even works of genius, then, cannot truly be gifts to us: They are merely our own possessions... | |
| George Kateb - 2002 - 278 pages
...Emerson memorably rebukes us for dismissing our thought without notice just because it is ours. He says: In every work of genius we recognize our own rejected...come back to us with a certain alienated majesty, (p. 259) Yet the earlier words are more suitable to the best meanings of self-reliance than the later... | |
| Stanley Cavell, David Justin Hodge - 2003 - 300 pages
...within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his own thought, because it is his. In every work of genius...come back to us with a certain alienated majesty." Here I find a specification of finding myself known in this text; in it certain rejected thoughts of... | |
| Richard Eldridge - 2003 - 262 pages
...from where we are. Cavell captures this point by focusing on Emerson's sentences from "Self-Reliance": "In every work of genius we recognize our own rejected...come back to us with a certain alienated majesty." As Cavell goes on to comment, these sentences propose that If the thoughts of a text such as Emerson's... | |
| Richard Eldridge - 2003 - 300 pages
...by sharing the expressed visions of artists."89 According to Ralph Waldo Emerson in "Self-Reliance," "In every work of genius we recognize our own rejected...thoughts: they come back to us with a certain alienated majesty."90 This thought points toward both a way between Hegel and Danto on what is expressed and... | |
| Nick Halpern - 2003 - 314 pages
...well. How can she say things like that in a way that isn't muted, ironic, guarded? Emerson writes, "In genius we recognize our own rejected thoughts: They...come back to us with a certain alienated majesty." 6 The evening grosbeaks in this poem seem to represent Rich's own rejected thoughts. Meanwhile, she... | |
| Angus Jenkinson - 2003 - 292 pages
...the gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his.' The soul or psyche or mind (which for my purposes at the moment are interchangeable terms differing... | |
| Susan M. Ryan (Ph. D.) - 2003 - 268 pages
...worth in himself" (36). The most "affecting lesson" of "great works of art," Emerson avers, is that "they teach us to abide by our spontaneous impression with good-humored inflexibility." Should we fail to achieve this tenacity, "to-morrow a stranger will say with masterly good sense precisely... | |
| Ralph Waldo Emerson - 2004 - 256 pages
...that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice...spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on the other side. Else to-morrow a stranger will say with masterly... | |
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