 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Page 202by William Shakespeare - 1765Full view - About this book
 | Beatrice Manley - 2001 - 344 pages
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 | William Shakespeare - 2001 - 212 pages
...his eyes, distraction in his aspect, 494 A broken voice, and his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I... | |
 | Jan H. Blits - 2001 - 420 pages
...his body to look the part — "his whole function suiting / With forms to his conceit" (2.2.550-51). And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? (2.2.551-54) What would the Player do, Hamlet continues, using a... | |
 | Anthony B. Dawson, Paul Yachnin - 2001 - 240 pages
...a performance, and an enormously affecting one at that, a point of which Hamlet is acutely aware - "For Hecuba! / What's Hecuba to him, or he to Hecuba, / That he should weep for her?" (2.2.558-60). The answer is that Hecuba is a figure for trauma, a memorial within... | |
 | P. E. Easterling, Edith Hall - 2002 - 550 pages
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this actor would do if he had the same cause for passion... | |
 | Thomas Clayton - 2002 - 216 pages
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