 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Page 202by William Shakespeare - 1765Full view - About this book
 | Karen Newman - 2005 - 176 pages
...his eyes, distraction in his aspect, A broken voice, and his whole function suiting 550 With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion 555 That... | |
 | Harriett Hawkins - 2005 - 308 pages
...But this controlled syntax breaks down in a series of short, bitter phrases marking the first "turn": "And all for nothing,/ For Hecuba!/ What's Hecuba to him, or he to Hecuba,/ That he should weep for her?" Then, in another shift he finally comes to the reason for his self-reproach,... | |
 | John E. Gedo - 2005 - 228 pages
...reactions — the degree of passion involved. As Hamlet says about an actor's tearful performance, ... all for nothing! For Hecuba! What's Hecuba to him or he to Hecuba, That he should weep for her? This is in contrast to Hamlet's own state, lacking in "gall." It is not simply... | |
 | Bridget Escolme - 2005 - 212 pages
...to the death of a fictional queen, Hamlet asks, What's Hecuba to him, or he to Hecuba That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with... | |
 | 492 pages
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 | William Shakespeare - 2005 - 900 pages
...A broken voice, and his whole function suiting With forms to his conceit; and all for nothing! 540 For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would... | |
 | Kate Pogue - 2006 - 216 pages
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