 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Page 202by William Shakespeare - 1765Full view - About this book
 | Jan H. Blits - 2001 - 420 pages
...his body to look the part — "his whole function suiting / With forms to his conceit" (2.2.550-51). And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? (2.2.551-54) What would the Player do, Hamlet continues, using a... | |
 | Anthony B. Dawson, Paul Yachnin - 2001 - 240 pages
...a performance, and an enormously affecting one at that, a point of which Hamlet is acutely aware - "For Hecuba! / What's Hecuba to him, or he to Hecuba, / That he should weep for her?" (2.2.558-60). The answer is that Hecuba is a figure for trauma, a memorial within... | |
 | P. E. Easterling, Edith Hall - 2002 - 550 pages
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this actor would do if he had the same cause for passion... | |
 | John O. Whitney, Tina Packer - 2002 - 321 pages
...in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms of his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? HAMLET (2.2, 550-60) I N the turnarounds I have led, there have been... | |
 | William Shakespeare - 1995 - 340 pages
...s'adattava con le forme alla sua idea? For Hecubal What's Hecuba to him, or he to her, That he should weep for her ? What would he do Had he the motive and the cue for passion That I have ? He would drown the stage with tears And cleave the general ear with... | |
 | K. H. Anthol - 2003 - 344 pages
...Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, 585 That he should weep for her? What would he do, had he the motive and the cue for passion... | |
 | John J. Joughin, Simon Malpas - 2003 - 254 pages
...to stage 'The Mousetrap', cf. II. ii. 584-601): What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (II. ii. 553-6) In some ways Hamlet's 'own' mistaken sense here of... | |
 | Salvo Pitruzzella - 2004 - 216 pages
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director... | |
 | John Gibson, Wolfgang Huemer - 2004 - 376 pages
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (3.1.552-62) Hamlet confronts here the negation of his earlier disavowal of mere... | |
 | Salvo Pitruzzella - 2004 - 212 pages
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director... | |
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