 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Page 202by William Shakespeare - 1765Full view - About this book
 | 1868 - 844 pages
...eyes, distraction in '• aspect, A broken voice, and his whole function suiting With forms to big conceit? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her? " SHAKESPEARE. This laborious simulation of feeling must exert an unfavourable... | |
 | John Hall Hindmarsh - 1845 - 464 pages
...broken voTce, and his whole fu'nction/ suiting With form's to his conc'eit ? and a'll for no' tiiing ! For H'ecuba ! What's He"cuba to hi'm, or he' to He"cuba, That he should we"ep-for-her ? Wha't-would-he-do, Had he' the mo'tive/ and ihe c'ue for pas'sion That I have... | |
 | William Shakespeare - 1847 - 872 pages
...his conceit ? and all for nothing ! For Hecuba? What's Hecuba to him, or he to Hecuba, That he should fers then The nature of an insurrection. Re-enter Luci the cue for passion, That I have? He would drown the stage with tears, And cleave the general ear with... | |
 | Frederic Henry Hedge - 1848 - 620 pages
...conceit ! And all for nothing l For Hecuha ! What 's Hecuha to him or he to Hecuha, That he should weep for her ? What would he do Had he the motive and the cue for paseioa That 1 hanT What a master-trait ! Experience teaches that persons afflicted with... | |
 | William Shakespeare - 1848 - 536 pages
...aspect, With forms to his conceit ? And all for nothing ? A broken voice, and his whole function suiting For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue 1 for passion, That I have ?... | |
 | Robert Joseph Sullivan - 1850 - 524 pages
...Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit. And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion That I have? He would... | |
 | William Shakespeare - 1851 - 586 pages
...Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! "What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion, That I have ? He... | |
 | William Shakespeare - 1851 - 712 pages
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the motive and the cue for passion, That I have ? He... | |
 | Stephen Orgel, Sean Keilen - 1999 - 356 pages
...Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? [2.2.534-46]... | |
 | Brian B. Ritchie - 1999 - 362 pages
...the theatrical awareness of his audience. A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the links between character fashioning andpronunciatio as taught... | |
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