 | Ralph Waldo Emerson - 1909 - 508 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on... | |
 | Frank Morton McMurry - 1909 - 340 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on... | |
 | Frank Morton McMurry - 1909 - 344 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by owe spontaneous impression with good-humored inflexibility then most when the whole cry of voices is... | |
 | 1909 - 540 pages
...it is his. In every work of genius we recognize our own rejected thoughts; they come back to us 63 with a certain alienated majesty. Great works of art...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on... | |
 | Ralph Waldo Emerson - 1909 - 496 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us 59 than this. They teach us to abide by our spontaneous impression with good-humored inflexibility... | |
 | Ralph Waldo Emerson - 1912 - 314 pages
...recognize our rejected thoughts; they come back to us with a certain alienated majesty. Great works 20 P 65 of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with goodhumored inflexibility then most when the whole cry of voices is on... | |
 | Ralph Waldo Emerson - 1911 - 196 pages
...known. Representative Men. IN every work of genius we recognise our own rejected thoughts: they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humoured inflexibility then most when the whole cry of voices is on... | |
 | Ralph Waldo Emerson - 1911 - 148 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts : they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spon- 20 taneous impression with good-humored inflexibility then most5 when the whole cry of voices... | |
 | Henry Evarts Gordon - 1911 - 332 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts : they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with goodhumored inflexibility then most when the whole cry of voices is on... | |
 | Axel Petrus Johnson - 1911 - 344 pages
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on... | |
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In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored... 
