 | 1904 - 1036 pages
...unpretentious which he has expressed so well, "I ask not for the great, the remote, the romantic ; I embrace the common ; I explore and sit at the feet of the familiar, the low ;" here he acquired that deep-seated and thoroughly German conviction of the dignity of scholastic... | |
 | James Hutchins Baker - 1913 - 200 pages
...is best everywhere. Emerson had this insight: " I ask not for the great, the remote, the romantic ; I embrace the common ; I explore and sit at the feet of the familiar, the low." Illustrations of the truth of this philosophy are not few or far to seek. I have seen, here, the hillsides... | |
 | Clark Sutherland Northup, William Coolidge Lane, John Christopher Schwab - 1915 - 524 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit...the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of... | |
 | James Cloyd Bowman, Louis Ignatius Bredvold, LeRoy Bethuel Greenfield, Bruce Weirick - 1915 - 518 pages
...the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art or Provencal minstrelsy; I embrace the common, I explore and sit...the pan, the ballad in the street, the news of the boat, the glance of the eye, the form and the gait of the body, — show me the ultimate reason of... | |
 | Norman Foerster - 1915 - 406 pages
...the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Prove^al minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low. Xrive me insight into to-day, and you may have the antique and future worlds. What would we really... | |
 | Walter Cochrane Bronson - 1916 - 760 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit...the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of... | |
 | George Rice Carpenter - 1916 - 798 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit...the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of... | |
 | Norman Foerster, William Whatley Pierson, William Whatley Pierson (Jr.) - 1917 - 344 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit...the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of... | |
 | Edwin Greenlaw, James Holly Hanford - 1919 - 714 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provençal boat; the glance of the eye; the form and the gait of the body ; — show me the ultimate reason of... | |
 | Edwin Greenlaw, James Holly Hanford - 1919 - 712 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy ; I embrace the common, I explore and sit...familiar, the low. Give me insight into today, and you may Lave the antique and future worlds. What would we really know the meaning of? The meal in the firkin... | |
| |
I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know the meaning of ? The meal in the firkin ; the milk in the pan ; the ballad... 
