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" For, don't you mark? we're made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted — better to us, Which is the same thing. Art was given for that; God uses... "
The Monist - Page 358
edited by - 1895
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The W.P. Wilstach Collection

Pennsylvania Museum and School of Industrial Art. Memorial hall. Wilstach Collection, Fairmount Park Commission (Philadelphia, Pa.) - 1900 - 286 pages
...Saint Michel Officier de l'Ordre de Santiago de Portusal Membre de las Société des Artistes français "For don't you mark, we're made so that we love First...passed Perhaps a hundred times nor cared to see." — Browning. 118. The Poppy Field 3454 x 59>a DE NOTER (David) Antwerp 119. Fruit and Flowers DIAZ...
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Browning Study Programmes, Volume 1

Charlotte Endymion Porter, Helen Archibald Clarke - 1900 - 674 pages
...realism he has an idealistic tendency, for he says we must beat nature. Is he right when he says, " We love first when we see them painted, things we...have passed perhaps a hundred times nor cared to see " ? Do you agree with him that beauty of form is necessary for the highest expression of soul ? Do...
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Altdorfer. London 1900

Thomas Sturge Moore - 1900 - 118 pages
...painting of pictures ? Some cry, a desire to imitate nature — to deceive the eye, — a sad avowal. "We're made so that we love First when we see them...painted, things we have passed Perhaps a hundred times," as Browning makes Fra Lippo Lippi say ; but can it be a rational end to love things unworthy of our...
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Annual Report of the State Superintendent of Public Instruction, Issue 46

New York (State). Department of Public Instruction - 1900 - 1314 pages
...He was truly wise in putting these common things in pictures and in song, for, as Browning tells us, "We're made so that we love First when we see them painted things we have parsed Perhaps a hundred times, nor cared to see." As Froebel learned from mothers, so many mothers...
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Expressive Physical Culture Or, Philosophy of Gesture

Charles Wesley Emerson - 1900 - 214 pages
...separation through elevation and suggestion is the essence of art. Browning says, 136 "We are so made that we love First, when we see them painted, things we have passed 1'erhaps a hundred times, nor cared to see ; Art was given for that ; God uses us to help each other...
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Eccentricities of Genius: Memories of Famous Men and Women ..., Issues 4660-4668

James Burton Pond - 1900 - 662 pages
...day — very ordinary, perhaps, and at times even uninteresting, except that, as Browning has it : "We're made so that we love First when we see them painted, things we've passed Perhaps a hundred times nor cared to see." It is as the leading exponent of realism in...
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Browning & His Poetry

Ernest Rhys - 1914 - 144 pages
...: Suppose you reproduce her — (which you can't) There's no advantage ! you must beat her, then." For, don't you mark, we're made so that we love First...Perhaps a hundred times nor cared to see ; And so they are_better, painted — better to us, WhicTrisTHe~iirnething. Art was given for that — God uses us...
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The Twentieth Century, Volume 57

1905 - 1078 pages
...has been indicated by Browning in a passage so often quoted that it has become somewhat hackneyed : For, don't you mark ? we're made so that we love First when we see them painted, things we've passed Perhaps a hundred times nor cared to pee, And so they are better, painted— better to...
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Critical History of English Literature, Volume 1

David Daiches - 1969 - 356 pages
...complete: "Suppose you reproduce her— (which you can't) "There's no advantage! you must beat her, then." For, don't you mark? we're made so that we love First...us, Which is the same thing. Art was given for that; Cod uses us to help each other so, Lending our minds out. Have you noticed, now, Your cullion's hanging...
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Browning's Beginnings: The Art of Disclosure

Herbert F. Tucker - 271 pages
...Lippo's purpose as a painter is to stop the eye from passing too quickly, to make it dwell lovingly on "things we have passed / Perhaps a hundred times nor cared to see" (301-2). As Lippo puts it in one of his punning condensations, "The world and life's too big to pass...
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