 Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty.  Essays and Poems of Emerson - Page 150by Ralph Waldo Emerson - 1921 - 525 pagesFull view - About this book
 | 1896 - 374 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts : they come back to us with...spontaneous impression with good-humored inflexibility then most5 when the whole cry of voices is on the other side. Else, to-mor1 Opinion. 2 See Note 2, p. 29.... | |
 | Ralph Waldo Emerson - 1899 - 380 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts; they come back to us with a...teach us to abide by our spontaneous impression with good-humoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | 1900 - 682 pages
...because there is no precedent for it." Here Emerson teaches us to use our own judgment when he says: "Great works of art have no more affecting lesson...teach us to abide by our spontaneous impression." The worker must ever adapt his work to his material, especially when that material is human. The ideals... | |
 | Second Church (Boston, Mass.) - 1900 - 264 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: they come back to us with a...certain alienated majesty. Great works of art have for us no more affecting lesson than this. They teach us to abide by our spontaneous impression with... | |
 | Ralph Waldo Emerson - 1901 - 554 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts : they come back to us with...teach us to abide by our spontaneous impression with goodhumoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | Israel C. McNeill, Samuel Adams Lynch - 1901 - 398 pages
...come back to us with a certain 20 alienated majesty. Great works of art have no more affecting lesson than this. They teach us to abide by our spontaneous...other side. Else to-morrow a stranger will say with 25 masterly good sense precisely what we have thought and felt all tlie time, and we shall be forced... | |
 | George Henry Lewes - 1901 - 226 pages
...fact that his own individuality ought to be steadfastly preserved. As Emerson says in continuation, " Great works of art have no more affecting lesson for...impression with good-humored inflexibility then most when x the whole cry of voices is on the other side. Else, to-morrow a stranger will say with masterly good... | |
 | Ralph Waldo Emerson - 1902 - 66 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: they come back to us with a...teach us to abide by our spontaneous impression with good humored inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | Fred Newton Scott, Joseph Villiers Denney - 1902 - 408 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts ; they come back to us with...affecting lesson for us than this. They teach us to abide \>y our spontaneous impression with good-humored inflexibility, then most when the whole cry of voices... | |
 | Macbeth Gallery - 1896 - 396 pages
...frequently much better work, is to be had from American artists. "In every work of genius we recognize our own rejected thoughts: they come back to us with a...art, have no more affecting lesson for us than this. * * * Do not think the youth has no force because he cannot speak to you and me. Hark ! in the next... | |
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