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" As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him... "
The Complete Works of Ralph Waldo Emerson - Page 367
by Ralph Waldo Emerson - 1904
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The dramatic works of Shakspeare, from the text of Johnson and Stevens [sic ...

William Shakespeare - 1824 - 486 pages
...thus still doing, thus he pasb'd along. Duch. Alas, poor Richard ! where rides be the while ? York. As in a theatre, the eyes of men, After a well-graced...that enters next, Thinking his prattle to be tedious: [eyes Even ao, or with much more contempt, men's Did scowl on Richard ; no man cried, God save him;...
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The Dramatic Works of Shakespeare

William Shakespeare - 1824 - 882 pages
...poor Richard ! where rides he the while? York. As in a tl-eatre the eyes of men, After a well grac'd r beggar, raileth on the rich. Well, whiles I am a beggar, I will rail, And say, there is uo sin, : Even so, orwith much more contempt, men's eyes Did scowl on Richard; no man cried, God save him!...
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The Beauties of Shakespeare: Selected from Each Play : with a General Index ...

William Shakespeare, William Dodd - 1824 - 428 pages
...poor Richard, where rides he the York. As in a theatre, the eyes of men, [while ? After a well-grac'd actor leaves the stage, Are idly bent§ on him that enters next, Thinking his prattle to be tedious: Even so, or with much more contempt, men's eyes Did scowl on Richard; nomancried,God save him; No joyful...
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Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the ...

William Scott - 1825 - 382 pages
...If I forgive him. — Merchant of Venice. 9. As, in a theatre, the eyes of men, After a wellrgraced actor leaves the stage, Are idly bent on "him that enters' next. Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard. No man cried, God save him...
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The Juvenile Mentor; Or, Select Readings ...

Albert Picket - 1825 - 272 pages
...present deeds, That all your acts are queens. Pity. As in a theatre the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious, Even so or with much more contempt, men's eyei, Did scowl on Richard ; no man cry'd, God save him ;...
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The Dramatic Works of William Shakespeare: From the Text of ..., Volume 1

William Shakespeare - 1825 - 508 pages
...he the while ? Vort. As in a theatre, the eyes of men, After a well-grac'd actor leaves the ttage, Are idly bent* on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes [him ; Did scowl on Richard; no man cried, God save...
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The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed

William Shakespeare - 1825 - 1010 pages
...poor Richard! where rides he the while? York. As in a theatre, the eyes of men, After a well grac'd . And hU prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard; no...
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King Richard II. King Henry IV, part 1. King Henry IV, part 2. Henry V

William Shakespeare - 1826 - 560 pages
...poor Richard ! where rides he the while? York. As in a theatre, the eyes of men2, After a well grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
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The plays of William Shakspeare, pr. from the text by G. Steevens ..., Volume 4

William Shakespeare - 1826 - 514 pages
...poor Richard ! where rides he the while ? York. As in a theatre J the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
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Cumberland's British Theatre: With Remarks, Biographical and ..., Volume 11

1826 - 320 pages
...nose wilt fipe.tr- grass, or compounding a cup of sack. The loss of Falstaff is irreparable — " Xs in a theatre, the eyes of men, After a well-graced actor leaves the stage, Arc idly bent on him that enters next" — we hear of Azincour — but we think of Shrewsbury. The...
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