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" I ask not for the great, the remote, the romantic ; what is doing in Italy or Arabia; what is Greek art, or Proven9al minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. "
Nature: Addresses, and Lectures - Page 93
by Ralph Waldo Emerson - 1883 - 315 pages
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The American Labor Legislation Review, Volume 7

1917 - 716 pages
...a small ocean." He might also have said the man is a small government. In this same address he said "Give me insight into to-day and you may have the antique and the future worlds." And within a quarter of a century after Emerson delivered his address on The American...
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Anthology of Western Reserve Literature

David Rollin Anderson, Gladys Haddad - 1992 - 332 pages
...great, the remote, the romantic, what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low." Hawthorne confessed several years later, in The Scarlet Letter, his classic work which focuses on a...
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Popular Culture and Acquisitions

Allen W. Ellis - 1992 - 164 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal Minstrelsy; I embrace the common. I explore and sit...into today, and you may have the antique and future worlds.10 Proponents of popular culture argue that true insight into any era of culture can be gained...
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Keeping Faith: Philosophy and Race in America

Cornel West - 1993 - 352 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit...feet of the familiar, the low. Give me insight into day and you may have the antique and future worlds.1 This artistic affirmation of everyday experiences...
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Emerson's Literary Criticism

Ralph Waldo Emerson - 1995 - 304 pages
...experience, so much of the wilderness have I vanquished and planted. . . ." "Life is my dictionary." "Give me insight into to-day, and you may have the antique and future worlds. ..." These and many other such familiar epigrams are eloquent expressions of the practical idealism...
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Charles Ives and His World

James Peter Burkholder - 1996 - 470 pages
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provençal minstrelsy; I embrace the common, I explore and sit...would we really know the meaning of? The meal in the firken; the milk in the pan; the ballad in the street; the news of the boat; the glance of the eye;...
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Analysis and Assessment, 1940-1979

Cary D. Wintz - 1996 - 522 pages
...if he seek a temporary peace by the diversion of his thoughts from politics or vexed questions ... I embrace the common, I explore and sit at the feet of the familiar, the low . . . the literature of the poor, the feelings of the child, the philosophy of the street, the meaning...
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Facing Facts: Realism in American Thought and Culture, 1850-1920

David E. Shi - 1996 - 410 pages
...and he enthusiastically sanctioned their efforts: "I ask not for the great, remote, the romantic ... I embrace the common, I explore and sit at the feet of the familiar, the low." This romantic celebration of the actualities of common life, however tentative, vicarious, or celestial,...
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From Emerson to King: Democracy, Race, and the Politics of Protest

Anita Haya Patterson - 1997 - 268 pages
...gesture is one that strategically claims the ordinary domestic world as the fit domain of the poetic: I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight to-day, and you may have antique and future worlds. What would we really know the meaning of? The meal...
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Contingency Blues: The Search For Foundations In American Criticism

Paul Jay - 1997 - 236 pages
...household life, are the topics of the time ... I ask not for the great, the remote, the romantic ... I embrace the common, I explore and sit at the feet of the familiar, the low (Emerson68-69). 7. This focus on the museum as an institution, and its concrete relation to aesthetic...
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