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" Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of the hand, which are so much celebrated in the orators of Greece and Rome. We can talk of life and death in cold blood, and... "
The Art of Speaking: Containing, I. An Essay; in which are Given Rules for ... - Page 44
by James Burgh - 1792 - 373 pages
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The beauties of The Spectator 2nd ed., revised and enlarged with The vision ...

Spectator The - 1816
...as move a finger to set off the best sermons in the world. \Ve meet with the same speaking statues at our bars , and in all public places of debate. Our words flow from us in a smooth continued stream , without those strainings of the voice, motions of the body , and majesty...
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The British Essayists: Spectator

James Ferguson - 1819
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the ...

William Scott - 1820 - 407 pages
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words Sow from us in a smooth continued stream, without those strainings of the voice.motionsof the body,...
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The British Essayists: Spectator

Lionel Thomas Berguer - 1823
...as move a finger to set off the best sermons in the world. We meet with the same .speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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Lessons in Elocution: Or, a Selection of Pieces in Prose and Verse for the ...

William Scott - 1823 - 372 pages
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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The Spectator: With Sketches of the Lives of the Authors, an Index ..., Volume 8

1824
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us as in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty...
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A second selection from the papers of Addison in the Spectator and Guardian ...

Joseph Addison - 1828 - 80 pages
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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Lessons in Elocution: Or, A Selection of Pieces, in Prose and Verse, for the ...

William Scott - 1829 - 407 pages
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words nflow from us in a smooth continued stream, without those strainings of the voice, motions of the body,...
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American Annals of Education and Instruction, Volume 5

1835
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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American Annals of Education

1835
...much ns move a finger to set off the best sermons in the world. We meet with the same speaking stntucs at our bars, and in all public places of debate. Our words flow from us iu a smooth continued stream, without those strainings of the voice, motions of the body, and majesty...
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