 He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see...  A Thousand and One Gems of English Prose - Page 941872 - 534 pagesFull view - About this book
 | Paul Hammond - 1999 - 332 pages
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 | Thomas Docherty - 1999 - 264 pages
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 | Thomas Docherty - 1999 - 264 pages
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 | Howard Anderson - 1967 - 429 pages
...proportion in the name of the disegno interno, the inward drawing, or idea. 36 ) Shakespeare, says Dryden, was "the man who of all modern, and perhaps ancient...him, and he drew them, not laboriously, but luckily " 37 The distinction between luck and labor, made by Dryden in favor of luck and Shakespeare, exploited... | |
 | Samuel Alexander - 2000 - 324 pages
...and perhaps ancient poets had the largest and most comprehensive soul. All the images of nature were present to him, and he drew them not laboriously but...who accuse him to have wanted learning give him the great commendation. He was naturally learned; he needed not the spectacles of books to read nature;... | |
 | John Berryman - 2001 - 484 pages
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 | Margreta de Grazia, Stanley Wells - 2001 - 352 pages
...- for his versification, his diction, his classical correctness - but that he loved Shakespeare: He was the man who of all modern, and perhaps ancient...him, and he drew them, not laboriously, but luckily . . . Those who accuse him to have wanted learning, give him the greater commendation: he was naturally... | |
 | Paul Hammond - 2002 - 484 pages
...Beaumont and Fletcher. The present extract is spoken by Neander. To begin, then, with Shakespeare: he was the man who of all modern, and perhaps ancient...learned; he needed not the spectacles of books to read nature; he looked inwards, and found her there. I cannot say he is everywhere alike; were he so,... | |
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