 A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we...  An American Bible - Page 168edited by - 1918 - 372 pagesFull view - About this book
 | Ralph Waldo Emerson - 1908 - 324 pages
...Yet he dismisses without notice his thought, because it is his. In every work of genius we recognise our own rejected thoughts: they come back to us with...us to abide by our spontaneous impression ยป with good-humoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | Frank Morton McMurry - 1909 - 344 pages
...of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected...lesson for us than this. They teach us to abide by owe spontaneous impression with good-humored inflexibility then most when the whole cry of voices is... | |
 | Ralph Waldo Emerson - 1909 - 496 pages
...of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected...works of art have no more affecting lesson for us 59 than this. They teach us to abide by our spontaneous impression with good-humored inflexibility... | |
 | 1909 - 540 pages
...of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us 63 with a certain alienated majesty. Great works of art have no more affecting lesson for us than this.... | |
 | Ralph Waldo Emerson - 1912 - 314 pages
...he dismisses without notice his thought, because it is his. In every work of genius we recognize our rejected thoughts; they come back to us with a certain alienated majesty. Great works 20 P 65 of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous... | |
 | Ralph Waldo Emerson - 1911 - 148 pages
...firma- 15 ment4 of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected...lesson for us than this. They teach us to abide by our spon- 20 taneous impression with good-humored inflexibility then most5 when the whole cry of voices... | |
 | Ralph Waldo Emerson - 1911 - 196 pages
...those facts through, and to make them known. Representative Men. IN every work of genius we recognise our own rejected thoughts: they come back to us with...teach us to abide by our spontaneous impression with good-humoured inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow... | |
 | 1911 - 180 pages
...conciseness will be, practically, promoted by the addition. WHATELT ORIGINALITY IS SINCERITY As Emerson says: "Great works of art have no more affecting lesson for us than this. ^hey_teach_iis Jo abide by^^ur spontaneous impressions with_good^mmpred ._jnflexibiljJ3z, is. __^___... | |
 | Rollo Walter Brown, Nathaniel Waring Barnes - 1913 - 396 pages
...of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected...spontaneous impression with good-humored inflexibility familiarize himself with the ideas about his subject held by men of another generation or another social... | |
 | Frederick William Roe, George Roy Elliott - 1913 - 512 pages
...of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected...us with a certain alienated majesty. Great works of 20 art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression... | |
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