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" Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer. Who would not sing for Lycidas? he knew Himself to sing, and build the lofty rhyme. He must not float upon his watery bier Unwept,... "
Bulletin - Page 58
1904
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There and Back Again in Search of Beauty, Volume 1

James Augustus St. John - 1853 - 368 pages
...from which was blowing &,fi\\ in at the open windows. PART THE SECOND. " She must not float upon her watery bier Unwept, and welter to the parching wind, Without the meed of gome melodioua tear." LTCTJUO. " Sea, and hill, and wood, With all the numberless goings on of life,...
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The Beauties of the British Poets, with a Few Introductory Observations

George Croly - 1854 - 426 pages
...for Lycidas ? He knew Himself to sing, and build the lofty rhyme. He must not float upon his watry bier Unwept, and welter to the parching wind, Without...spring ; Begin, and somewhat loudly sweep the .string. Hence with denial vain, and coy excuse, So may some gentle Muse With lucky words favour my destined...
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The Complete Poetical Works of John Milton: With Life ...

John Milton - 1855 - 564 pages
...would not sing for Lycidas ? he knew Himself to sing, and build the lofty rhyme. He must not float upon his watery bier Unwept, and welter to the parching...spring ; Begin, and somewhat loudly sweep the string ; Hence with denial vain, and coy excuse : So may some gentle muse With lucky words favour my destined...
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The Poetical Works of John Milton: A New Edition Carefully Revised from the ...

John Milton - 1855 - 644 pages
...would not sing for Lycidas ? He knew Himself to sing, and build the lofty rhyme. He must not float upon his watery bier Unwept, and welter to the parching wind, Without the meed of some melodious tear. wont to mingle with its serious strain. But for this he was compensated hy the brightest hues of fancy,...
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Milton, Poet of Exile

Louis Lohr Martz - 1986 - 388 pages
...elegists,13 becomes by Milton's accentuation a very theme of the poem, a sign of the poem's anguish: Begin then, Sisters of the sacred well, That from beneath the seat of Jove doth spring, Begin, and somwhat loudly sweep the string. [15-17] Yet the repeated "Begin" contains the stabilizing power of...
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Milton Re-viewed: Ten Essays

Edward Le Comte - 1991 - 168 pages
...woman. But we do not know. We "do not know what "the sacred well" is in the invocation in "Lycidas": "Begin then, Sisters of the sacred well / That from beneath the seat of Jove doth spring." It could be the Pierian spring, with "the seat of Jove" being Mount Olympus. It could be Hippocrene,...
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Death in Milton's Poetry

Clay Daniel - 1994 - 194 pages
...scorner of pastoralism by alluding to Hesiod's Theogony. That poem is echoed in the swain's appeal to the "Sisters of the sacred well, / That from beneath the seat of Jove doth spring" (15-16). B Hesiod relates, at considerable length, how the Muses "by their singing / delight the great...
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Mr Bligh's Bad Language: Passion, Power and Theatre on the Bounty

Greg Dening - 1994 - 470 pages
...would not sing for Lycidas? he knew Himself to sing and build the lofty rhyme. He must not float upon his watery bier, Unwept, and welter to the parching wind Without the need of some melodious tear. ['Lycidas' Li] The tide of Nessie's possessing literature rose with the...
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The Columbia Anthology of British Poetry

Carl R. Woodring, James Shapiro - 1995 - 936 pages
...for Lycidas? he knew 10 Himself to sing, and build the lofty rhyme. He must not float upon his wat'ry bier Unwept, and welter to the parching wind, Without...spring. Begin, and somewhat loudly sweep the string. Hence with denial vain, and coy excuse, So may some gentle Muse With lucky words favor my destin'd...
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Milton: The life

William Riley Parker - 1996 - 708 pages
...would not sing for Lycidas ? He knew Himself to sing, and build the lofty rime. He must not float upon his watery bier Unwept, and welter to the parching wind Without the meed of some melodious tear. Fourteen lines of verbal music, solemn yet subtly varied. The magic lies chiefly in tonal harmony....
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