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" Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore, — "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient... "
Literary Masterpieces: Franklin: Irving: Bryant: Webster: Everett ... - Page 350
1904 - 433 pages
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Notes to the People, Volume 2

Ernest Charles Jones - 1967 - 540 pages
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The North British review

1852 - 620 pages
...chamber door — Perched, and sat, and nothing more. " Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, ' Though thy crest be shorn and shaven, thour' I said, ' art sure no craven, Ghastly, grim, and ancient Raven, wandering from the nightly shore,...
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Littell's Living Age, Volume 1; Volume 37

1853 - 848 pages
...wasted life which conscience summons up before him. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance...on the night's Plutonian shore ?" Quoth the Raven : " Never more." But the Raven sitting lonely on that placid bust, spoke only That one word, as if...
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Beautiful poetry, selected by the ed. of The Critic, Volume 1

Beautiful poetry - 1853 - 740 pages
...this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenanee it wore. " Though thy crest be shorn and shaven, thou,"...Plutonian shore ! " Quoth the Raven, " Nevermore." Much I marvell'd this ungainly fowl to hear discourse so plainly, Though its answer little meaning, little...
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The Works of the Late Edgar Allan Poe: Poems and tales

Edgar Allan Poe, Nathaniel Parker Willis - 1853 - 522 pages
...follow, the design is more obviously carried out: — Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance...grim and ancient Raven wandering from the nightly shoreTell me what thy lordly name is on the Night's Plutonian shore V Quoth the Raven " Nevermore."...
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The poetical works of Edgar Allan Poe with a notice by J. Hannay

Edgar Allan Poe - 1853 - 188 pages
...door — Perched, and sat, and nothing more. VIII. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance...said, " art sure no craven, Ghastly, grim, and ancient Eaven, wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian...
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Zehn schottische Lieder verdentscht von W.B. Macdonald. Schott. und ..., Page 69

1854 - 80 pages
...£lжr gefteííet ^er — рф unb gar %'фгё mehr. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance...its answer little meaning — little relevancy bore ; For we cannot help agreeing, that no living human being Ever yet was blest with seeing bird above...
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Handbuch der nordamericanischen National-Literatur: Sammlung von ...

Ludwig Herrig - 1854 - 580 pages
...chamber door — Perch'd, and sät, and nothing more. Then this ebony bird beguiling My sad fancy into smiling, By the grave and stern decorum Of the countenance...and ancient raven, Wandering from the Nightly shore — Teil me what thy lordly name is On the Night's Plutonian shore!" Quoth the raven „Nevermore."...
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The New York Journal: An Illustrated Literary Periodical, Volume 3

1854 - 380 pages
...chamber door — Perch'd, and sat, and nothing more. Then this ebony bird beguiling My sad fancy into smiling By the grave and stern decorum Of the countenance it wore, " Though thy crest be shorn and shaven, Though," I said, " art sure no craven, Ghastly grim and ancient raven, Wandering from the Nightly shore...
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The American First-class Book, Or Exercises in Reading and Recitation ...

John Pierpont - 1855 - 530 pages
...chamber-door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance...shore ! " Quoth the raven, " Nevermore." ' Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning — little...
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