 | Claire McEachern - 2002 - 310 pages
...drew all eyes to her, and Antony, Enthroned i'th'market-place, did sit alone, Whistling to th'air, which, but for vacancy, Had gone to gaze on Cleopatra, too, And made a gap in nature. (2.2.2Z4-8) This time Antony is alone. In Elysium, however, the lovers are together. It would surely... | |
 | Alison Ross, Jen Greatrex - 2001 - 424 pages
...Her people out upon her; and Antony, Enthron'd i' the market-place, did sit alone. Whistling to the air; which, but for vacancy. Had gone to gaze on Cleopatra too, And made a gap in nature. AGRIPPA Rare Egyptian! DOMITIUS ENOBARBUS Upon her landing, Antony sent to her, Invited her to supper:... | |
 | Jeffrey Masten, Wendy Wall - 2003 - 264 pages
...arrival at Cydnus, Enobarbus claims that the city's rush to view her on the barge left behind only air, "which, but for vacancy / Had gone to gaze on Cleopatra too, / And made a gap in nature" (2.2.216-18). Antony is hardly immune to her magnetic pull: in a disconcerting reversal of roles, she... | |
 | John Lord - 2004 - 180 pages
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 | Michele Marrapodi - 2004 - 292 pages
...Her people out upon her; and Antony, Enthroned i'th'market-place, did sit alone, Whistling to th'air, which, but for vacancy, Had gone to gaze on Cleopatra, too, And made a gap in nature. (2.2.216-28) There is close indebtedness here, but the divergences are, for present purposes, more... | |
 | Andreas Höfele, Werner von Koppenfels - 2005 - 312 pages
...move the air itself as in Enobarbus's description of Cleopatra on the river Cydnus where 'th'air [...] but for vacancy / Had gone to gaze on Cleopatra too, / And made a gap in nature' (Antony and Cleopatra, II.2.222-24). If both scenes deal with potent sexual seduction, Antony and Cleopatra... | |
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... silken tackle Swell with the touches of those flower-soft hands, That yarely frame the office. From the barge A strange invisible perfume hits the sense Of the adjacent wharfs. The city cast Her people out upon her, and Antony, Enthron'd i... 
