His handling, the manner of leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never learned from others the usual and regular practice belonging to the... Memoir of the life of David Cox - Page 184by Nathanael Neal Solly - 1873 - 339 pagesFull view - About this book
| Beverley Stern - 1980 - 304 pages
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| Richard Redgrave, Samuel Redgrave - 1981 - 628 pages
...colours or, in other words, the methods he used for producing the effect, had very much the appearance of an artist who had never learned from others the usual and regular practice belonging to the arts; but still a man of strong instinctive perception of what was required, he found out a way of... | |
| Herbert Read - 2002 - 240 pages
...like Gainsborough might arrive at excellence (if not worldly success) in avoiding these precepts — 'he found out a way of his own to accomplish his purpose'. But he warned his listeners against following this example, and in the eloquent conclusion to the Discourses... | |
| Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 496 pages
...manner of leaving the colours, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist...found out a way of his own to accomplish his purpose. I think some apology may reasonably be made for his manner, without violating truth, or running any... | |
| Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 494 pages
...manner of leaving the coloues, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist...learned from others the usual and regular practice helonging to the art; hut still, like a man of strong intuitive perception of what was required, he... | |
| 1839 - 348 pages
...manner of leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never learned from others the usual arid regular practice belonging to the art ; but still, like a man of strong intuitive perception of... | |
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