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" His handling, the manner of leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never learned from others the usual and regular practice belonging to the... "
Memoir of the life of David Cox - Page 184
by Nathanael Neal Solly - 1873 - 339 pages
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Discourses on Art

Sir Joshua Reynolds - 1965 - 318 pages
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The Works, Volume 1

Sir Joshua Reynolds - 1971 - 468 pages
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The Age of Enlightenment, Volume 2

Beverley Stern - 1980 - 304 pages
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A Century of British Painters

Richard Redgrave, Samuel Redgrave - 1981 - 628 pages
...colours or, in other words, the methods he used for producing the effect, had very much the appearance of an artist who had never learned from others the usual and regular practice belonging to the arts; but still a man of strong instinctive perception of what was required, he found out a way of...
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Art in Theory 1648-1815: An Anthology of Changing Ideas

Charles Harrison, Paul Wood, Jason Gaiger - 2001 - 1248 pages
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To Hell with Culture: And Other Essays on Art and Society

Herbert Read - 2002 - 240 pages
...like Gainsborough might arrive at excellence (if not worldly success) in avoiding these precepts — 'he found out a way of his own to accomplish his purpose'. But he warned his listeners against following this example, and in the eloquent conclusion to the Discourses...
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The Enlightenment: A Sourcebook and Reader

Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 496 pages
...manner of leaving the colours, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist...found out a way of his own to accomplish his purpose. I think some apology may reasonably be made for his manner, without violating truth, or running any...
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The Enlightenment: A Sourcebook and Reader

Paul Hyland, Olga Gomez, Francesca Greensides - 2003 - 494 pages
...manner of leaving the coloues, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist...learned from others the usual and regular practice helonging to the art; hut still, like a man of strong intuitive perception of what was required, he...
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Discourses on Art

Sir Joshua Reynolds - 1966 - 254 pages
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The Students' Cabinet Library of Useful Tracts, Volume 5

1839 - 348 pages
...manner of leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never learned from others the usual arid regular practice belonging to the art ; but still, like a man of strong intuitive perception of...
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