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" Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of the hand, which are so much celebrated in the orators of Greece and Rome. We can talk of life and death in cold blood, and... "
The Art of Speaking: Containing, I. An Essay; in which are Given Rules for ... - Page 44
by James Burgh - 1792 - 373 pages
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American Annals of Education and Instruction, Volume 5

1835
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow 24 Effect* of Action in an Orator. from us in a smooth continued stream, without those strainings of...
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American Annals of Education

1835
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow 24 Effects of Action in an Orator. from us in a smooth continued stream, without those strainings of...
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The Works of Joseph Addison: The Spectator, no. 315-635

Joseph Addison - 1837
...much as move a finger to set off the best sermon in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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The rhetorical reader, consisting of choice specimens of oratorical ...

John Hall Hindmarsh - 1845 - 80 pages
...to set off the be'st-sermons/ in the wo'rld. We meet with the same speaking sta'tues at our bar's, and in all public pla'ces of deba'te. O'ur words flow from us/ in a sm'ooth/ conti'nued-stream, without those strai'nings of the vq'ice, mo'tions of the bo'dy, and majesty...
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Pulpit Elocution: Comprising Suggestions on the Importance of Study; Remarks ...

William Russell - 1846 - 408 pages
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth, continued stream, without those strainings of the voice, motions of the body, and majesty of...
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The Spectator [by J. Addison and others] with sketches of the ..., Volumes 7-8

Spectator The - 1853
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us as in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty...
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The Works of Joseph Addison: The Spectator

Joseph Addison - 1854
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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The Works of Joseph Addison: The Spectator

Joseph Addison - 1854
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate,. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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The Spectator: With a Biographical and Critical Preface, and Explanatory ...

1854
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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The Works of Joseph Addison: Including the Whole Contents of Bp ..., Volume 5

Joseph Addison - 1854
...much as move a finger to set off the best sermons in the world. We meet with the same speaking statues at our bars, and in all public places of debate. Our words flow from us in a smooth continued stream, without those strainings of the voice, motions of the body, and majesty of...
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