 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Page 202by William Shakespeare - 1765Full view - About this book
 | Brian B. Ritchie - 1999 - 362 pages
...the theatrical awareness of his audience. A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the links between character fashioning andpronunciatio as taught... | |
 | Tom Lutz - 2001 - 358 pages
...Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet finds it "monstrous" that the actor can simulate the full bodily array... | |
 | Brian B. Ritchie - 1999 - 362 pages
...the theatrical awareness of his audience. A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the links between character fashioning andpronunciatio as taught... | |
 | John Hort, Leela Hort - 1999 - 72 pages
...such a pretence of passion that his voice falters, his face turns pale and tears come into his eyes! And all for nothing! For Hecuba! What's Hecuba to him or he to Hecuba that he should weep for her? Imagine what he would do if he had wv cause for passion! He would flood the stage... | |
 | Joan Ackermann - 1999 - 60 pages
...thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with... | |
 | Stanley Wells - 2003 - 354 pages
...performance, and an enormously affecting one at that, a point of which Hamlet is acutely aware — 'For Hecuba! / What's Hecuba to him or he to Hecuba / That he should weep for her?' (2.2.560-2). The answer is that Hecuba is a figure for trauma, a memorial within... | |
| |
